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THE LOVE SONG OF J. ALFRED PRUFROCK
(They will say: "How his hair is growing thin!") My morning coat, my collar mounting firmly to the chin, My necktie rich and modest, but asserted by a simple pin— (They will say: "But how his arms and legs are thin!") Do I dare Disturb the universe?
Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons;
Shall I say, I have gone at dusk through narrow streets And watched the smoke that rises from the pipes Of lonely men in shirt-sleeves, leaning out of windows?... I should have been a pair of ragged claws Scuttling across the floors of silent seas.
After the sunsets and the dooryards and the sprinkled streets, After the novels, after the teacups, after the skirts that trail along the floor— And this, and so much more?— It is impossible to say just what I mean! But as if a magic lantern threw the nerves in patterns on a screen: Would it have been worth while If one, settling a pillow or throwing off a shawl, And turning toward the window, should say: "That is not it at all, That is not what I meant, at all." No! I am not Prince Hamlet, nor was meant to be; Am an attendant lord, one that will do To swell a progress, start a scene or two,
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PORTRAIT OF A LADY
—Let us take the air, in a tobacco trance, Admire the monuments Discuss the late events, Correct our watches by the public clocks. Then sit for half an hour and drink our bocks.
But what have I, but what have I, my friend, To give you, what can you receive from me? Only the friendship and the sympathy Of one about to reach her journey's end. I shall sit here, serving tea to friends...." I take my hat: how can I make a cowardly amends For what she has said to me? You will see me any morning in the park Reading the comics and the sporting page. Particularly I remark An English countess goes upon the stage. A Greek was murdered at a Polish dance, Another bank defaulter has confessed. I keep my countenance, I remain self-possessed
His soul stretched tight across the skies That fade behind a city block, Or trampled by insistent feet At four and five and six o'clock And short square fingers stuffing pipes, And evening newspapers, and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world. I am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle Infinitely suffering thing. Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women Gathering fuel in vacant lots.
MORNING AT THE WINDOW
They are rattling breakfast plates in basement kitchens, And along the trampled edges of the street I am aware of the damp souls of housemaids Sprouting despondently at area gates. The brown waves of fog toss up to me Twisted faces from the bottom of the street, And tear from a passer-by with muddy skirts An aimless smile that hovers in the air And vanishes along the level of the roofs.
HYSTERIA
Here, said she, Is your card, the drowned Phoenician Sailor,

