Ross McPherson

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When someone strikes middle C on the piano, a complex chain of events is set into place. Sound vibrates in the air and a wave travels to my ear. The wave is processed and analyzed into frequencies inside the ear, and a signal is sent to the auditory cortex. Further processing takes place here: isolation of certain aspects of the signal, categorization, and ultimately reaction. All this is not so hard to understand in principle. But why should this be accompanied by an experience? And why, in particular, should it be accompanied by that experience, with its characteristic rich tone and timbre?
The Conscious Mind: In Search of a Fundamental Theory (Philosophy of Mind)
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