Burned (Fever #7)

by Karen Marie Moning

Around enormous fangs, the beast snarls, “You had ample time. You didn’t. Your time ran the fuck out.” Its horns begin to melt and run down the sides of its face. Its head becomes grossly misshapen, expands and contracts, pulses and shrinks before expanding again—as if too much mass is being compacted into too small a form and the beast is resisting. Massive shoulders collapse inward, straighten then collapse again. The princes’ heads thud wetly to the floor. The beast gouges deep splinters of wood up through what used to be a priceless rug, as it bows upon itself, shuddering. Talons splay across the rug and become fingers. Haunches lift, slam down, and become legs. But they aren’t right. The limbs contort, the bones don’t bend where they should, rubbery in some places, knobbed in others. Still it bays, but the sound is changing. Its misshapen head whips from side to side. I catch a glimpse through matted hair of wild eyes glittering with moonlight, of black fangs and spittle as it snarls. Then the tangled locks abruptly melt, the sleek black skin begins to lighten. It hits the floor, convulsing. I can’t help but compare it to the sudden swiftness with which Ryodan transforms. Although both can become the beast quickly, Barrons’s reversion to human is lengthy. I enjoy the beast, Barrons had said. Ryodan enjoys the man.