Michael Anderson

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the trouble is, I don’t see much of anything when I try to see her. She stands near me and I know that someone’s there, but when I look, I find another face in the way, and hear another voice, not Snow’s at all, but distorted versions of my own face and voice, I think. And even though this screen and I have become aware of each other, the screen rests easy, banking on its history of standing between people and my own aversion to closeness.
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Boy, Snow, Bird
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