Mastery

by Robert Greene

Truly creative people in all fields can temporarily suspend their ego and simply experience what they are seeing, without the need to assert a judgment, for as long as possible.

The brain is constantly searching for similarities, differences, and relationships between what it processes. Your task is to feed this natural inclination, to create the optimal conditions for it to make new and original associations between ideas and experiences. And one of the best ways to accomplish this is by letting go of conscious control and allowing chance to enter into the process.

When we are consumed with a particular project, our attention tends to become quite narrow as we focus so deeply. We grow tense. In this state, our mind responds by trying to reduce the amount of stimuli we have to deal

Random external stimuli lead us to associations we cannot come by on our own.

Everything in nature has a structure, a way that the parts relate to one another, which is generally fluid and not so easy to conceptualize. Our minds naturally tend to separate things out, to think in terms of nouns instead of verbs.

We routinely look for patterns in the world that confirm the paradigms we already believe in. The things that do not fit the paradigm—the anomalies—tend to be ignored or explained away. In truth, anomalies themselves contain the richest information. They often reveal to us the flaws in our paradigms and open up new ways of looking at the world.

the emotions we experience at any time have an inordinate influence on how we perceive the world. If we feel afraid, we tend to see more of the potential dangers in some action. If we feel particularly bold, we tend to ignore the potential risks. What you must do then is not only alter your mental perspective, but reverse your emotional one as well. For instance, if you are experiencing a lot of resistance and setbacks in your work, try to see this as in fact something that is quite positive and productive. These difficulties will make you tougher and more aware of the flaws you need to correct. In physical exercise, resistance is a way to make the body stronger, and it is the same with the mind. Play a similar reversal on good fortune—seeing the potential dangers of becoming soft, addicted to attention, and so forth. These reversals will free up the imagination to see more possibilities, which will affect what you do. If you see setbacks as opportunities, you are more likely to make that a reality.

The grammar of language locks us into certain forms of logic and ways of thinking. As the writer Sidney Hook put it, “When Aristotle drew up his table of categories which to him represented the grammar of existence, he was really projecting the grammar of the Greek language on the cosmos.” Linguists have enumerated the high number of concepts that have no particular word to describe them in the English language. If there are no words for certain concepts, we tend to not think of them. And so language is a tool that is often too tight and constricting, compared to the multilayered powers of intelligence we naturally possess.

These stories are so common as to indicate something essential about the brain and how it reaches certain peaks of creativity. We can explain this pattern in the following way: If we remained as excited as we were in the beginning of our project, maintaining that intuitive feel that sparked it all, we would never be able to take the necessary distance to look at our work objectively and improve upon it. Losing that initial verve causes us to work and rework the idea. It forces us to not settle too early on an easy solution. The mounting frustration and tightness that comes from single-minded devotion to one problem or idea will naturally lead to a breaking point. We realize we are getting nowhere. Such moments are signals from the brain to let go, for however long a period necessary, and most creative people consciously or unconsciously accept this.

Praise generally does harm. Ever so slowly, the emphasis shifts from the joy of the creative process to the love of attention and to our ever-inflating ego.

Once you spend a period of time being excited and hopeful about an idea, you will find it hard to shift to a more critical position. Once you look at your work with intensity and doubt, you will lose your optimism and your love of what you do. Avoiding these problems takes practice and often some experience—when you have pushed past the doubt before, you will find it easier the next time. In any event, you must avoid emotional extremes and find a way to feel optimism and doubt at the same time—a difficult sensation to describe in words, but something all Masters have experienced.

Understand: the greatest impediment to creativity is your impatience, the almost inevitable desire to hurry up the process, express something, and make a splash.

The animal world can be divided into two types—specialists and opportunists. Specialists, like hawks or eagles, have one dominant skill upon which they depend for their survival. When they are not hunting, they can go into a mode of complete relaxation. Opportunists, on the other hand, have no particular specialty. They depend instead on their skill to sniff out any kind of opportunity in the environment and seize upon it. They are in states of constant tension and require continual stimulation. We humans are the ultimate opportunists in the animal world, the least specialized of all living creatures. Our entire brain and nervous system is geared toward looking for any kind of opening. Our most primitive ancestors

But if you begin with a feeling of tightness and pressure, focusing on the funding, the competition, or people’s opinions, you will stifle the associative powers of the brain and quickly turn the work into something without joy or life.

you must come to embrace slowness as a virtue in itself. When it comes to creative endeavors, time is always relative. Whether your project takes months or years to complete, you will always experience a sense of impatience and a desire to get to the end. The single greatest action you can take for acquiring creative power is to reverse this natural impatience. You take pleasure in the laborious research process; you enjoy the slow cooking of the idea, the organic growth that naturally takes shape over time.

There is nothing that becomes repetitive and boring more quickly than free expression that is not rooted in reality and discipline.

Perhaps language itself developed as a strictly social tool and became hijacked as a means of reasoning, making human consciousness itself the product of an accident.

Creativity and adaptability are inseparable.

Our culture depends in many ways on the creation of standards and conventions that we all must adhere to.

You are unique, and there is a purpose to your uniqueness. You must see every setback, failure, or hardship as a trial along the way, as seeds that are being planted for further cultivation, if you know how to grow them. No moment is wasted if you pay attention and learn the lessons contained in every experience.