Trust Me, I'm Lying: Confessions of a Media Manipulator
Rate it:
Open Preview
Kindle Notes & Highlights
Read between August 26 - October 1, 2019
44%
Flag icon
bloggers were seeing that which was not there. They had been so trained to find “big stories” that they hardly knew the difference between real and made up.
44%
Flag icon
There are fatal flaws in the blogging medium that create opportunities for influence over the media
44%
Flag icon
I did not fully understand the dangers of that world. The costs of the cheap power I had in it were hidden, but once revealed, I could not shake them. I had used my tactics to sell T-shirts and books, but others, I found, used them more expertly and to more ominous ends. They sold everything from presidential candidates to distractions they hoped would placate the public—and made (or destroyed) millions in the process.
44%
Flag icon
an investigation not in how the dark arts of media manipulation work but of their consequences.
45%
Flag icon
The story was so compelling (American Apparel! Toxic polish! Exploding glass!) they had to run with it, true or not.
45%
Flag icon
the opportunity to change the readers’ minds had passed. The facts had been established.
45%
Flag icon
The controversy eventually meant the undoing of the nail polish company we’d worked so hard to support.
45%
Flag icon
if not for Carmon’s needless attack and rush to judgment—the proximate cause—it all could have been worked out.
45%
Flag icon
From the twisting of the facts, the creation of a nonexistent story, the merciless use of attention for profit—she does what I do.
46%
Flag icon
the publisher of Gawker, Nick Denton, commended the story for getting the kind of publicity that can’t be bought. Denton wrote, “It was widely circulated within the media, spawned several more discussions, and affirmed our status as both an influencer and a muckraker.”
46%
Flag icon
For a writer like Carmon, whose pay is determined by the number of pageviews her posts receive, this was a home run. And
46%
Flag icon
That her story was a lie didn’t matter. That it was part of a pattern of manipulation didn’t matter.
46%
Flag icon
In the titles of her first and second articles, you can see what she is doing.
46%
Flag icon
One headline bootstraps the next;
47%
Flag icon
The post making the accusation did 333,000 views. Her post showing the Daily Show women’s response did 10,000 views—3 percent of the impressions of the first shot.
47%
Flag icon
A writer finds a narrative to advance that is profitable to them,
47%
Flag icon
It’s a prime example of the feminist blogosphere’s tendency to tap into the market force of what I’ve come to think of as “outrage world”—the regularly occurring firestorms stirred up on mainstream, for-profit, woman-targeted blogs like Jezebel and also, to a lesser degree, Slate’s own XX Factor and Salon’s Broadsheet. They’re ignited by writers who are pushing readers to feel what the writers claim is righteously indignant rage but which is actually just petty jealousy, cleverly marketed as feminism. These firestorms are great for page-view-pimping bloggy business. 7
48%
Flag icon
The problem is when they get too greedy. The problem is when they stop being able to see anything but the need for their own gain.
48%
Flag icon
SOMETIMES ONLY A MANIPULATOR CAN SPOT ANOTHER manipulator’s work.
48%
Flag icon
They changed politics and upended people’s lives.
48%
Flag icon
Shirley Sherrod,
48%
Flag icon
Behind it was a manipulator just like me.
48%
Flag icon
the bloggers and reporters who repeated the story were writing about it iteratively, using only the limited material they had been given
48%
Flag icon
“We now live in this media culture where something goes up on YouTube or a blog and everybody scrambles.”
48%
Flag icon
Breitbart
48%
Flag icon
he was not a racist either. Nor was he the partisan kook the Left mistook him for. He was a media manipulator just like me.
48%
Flag icon
He’s wasn’t an ideologue; he was an expert on what spreads—a provocateur.
48%
Flag icon
The political machine was a plaything for Breitbart, and he made it do just what he wanted
49%
Flag icon
For all the complaints from blogs, cable channels, and newspapers about being misled, Breitbart had actually given them a highly profitable gift.
49%
Flag icon
the media doesn’t mind being played, because they get something out of it—namely, pageviews, ratings, and readers.
49%
Flag icon
“Feeding the media is like training a dog. You can’t throw an entire steak at a dog to train it to sit. You have to give it little bits of steak over and over again until it learns.”
49%
Flag icon
James O’Keefe.
49%
Flag icon
knows what spreads, and he uses that knowledge for evil ends.
49%
Flag icon
O’Keefe’s work is heavily and disingenuously edited—far beyond what the context and actual events would support.
49%
Flag icon
in the blogging market there is a profound shortage of investigative material or original reporting.
49%
Flag icon
Short, shocking narratives with a reusable sound bite are all it takes.
49%
Flag icon
Being caught as a manipulator can only help make you more famous.
49%
Flag icon
the best way to make your critics work for you is to make them irrationally angry.
50%
Flag icon
they are not simply political extremists but ruthless seekers of attention. From this attention comes fame and profit—a platform
50%
Flag icon
people are the casualties of a media system defined by what spreads—wholly at the mercy of fraud, exaggeration, stunts, and a thousand subtle felonies against the truth.
50%
Flag icon
self-control has got nothing to do with it.
50%
Flag icon
No wonder you can’t get any work done. They won’t let you.
50%
Flag icon
keep readers addicted: “The
50%
Flag icon
We once naively believed that blogs would be a boon to democracy.
50%
Flag icon
“If newspapers are useful in overthrowing tyrants, it is only to establish a tyranny of their own.”
50%
Flag icon
everyone is distracted, deliberately so. 2
50%
Flag icon
The idea that the web is empowering is just a bunch of rattling, chattering talk.
50%
Flag icon
Blogs are out to game you—to steal your time from you and sell it to advertisers—and they do this every day.
51%
Flag icon
Entire companies are now built on this model, exploiting the intersection between entertainment, impulse, and the profit margins of low-quality content. What
51%
Flag icon
algorithmically created media.
1 7 12