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The secret of a poem, no less than a jest's prosperity, lies in the ear of him that hears it. Yield to its spell, accept the poet's mood: this, after all, is what the sages answer when you ask them of its value.
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Clasp the sensitive hand of a troubled singer dreeing thus his weird, and share with him the clime in which he found,—never throughout the day, always in the night,—if not the Atlantis whence he had wandered, at least a place of refuge from the bounds in which by day he was immured.
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Now the highest imagination is concerned about the soul of things; it may or may not inspire the Fantasy that peoples with images the interlunar vague.
The Raven also may be taken as a representative poem of its author, for its exemplification of all his notions of what a poem should be.
Poe, like Hawthorne, came in with the decline of the Romantic school, and none delighted more than he to laugh at its calamity. Yet his heart was with the romancers and their Oriental or Gothic effects.
His invention, so rich in the prose tales, seemed to desert him when he wrote verse; and his judgment told him that long romantic poems depend more upon incident than inspiration,—and
each separate dying ember wrought its ghost upon the floor.
dreaming dreams no mortal ever dared to dream before;
In there stepped a stately Raven of the saintly days of yore. Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door—
Then this ebony bird beguiling my sad fancy into smiling,
Ghastly grim and ancient Raven wandering from the Nightly shore,— Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore."
For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door—
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But the Raven, sitting lonely on the placid bust, spoke only That one word, as if his soul in that one word he did outpour. Nothing further then he uttered—not a feather then he fluttered— Till I scarcely more than muttered, "Other friends have flown before— On the morrow he will leave me, as my hopes have flown before." Then the bird said, "Nevermore."
But whose velvet violet lining with the lamplight gloating o'er She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer Swung by seraphim whose foot-falls tinkled on the tufted floor.
Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!" Quoth the Raven, "Nevermore."
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Is there—is there balm in Gilead?—tell me—tell me, I implore!" Quoth the Raven, "Nevermore."
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And my soul from out that shadow that lies floating on the floor Shall be lifted—nevermore!
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