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They were being managed, and no one seemed to care, and so he kept on smiling and waited for the commercial break to end. There was no footage. There was always footage. Even when good taste and human decency said not to air it, there was footage. Humanity liked to slow down and look at the car crash by the side of the road, and it was the job of the news to give them all the wrecks that they could stomach. So where was the wreck? Where was the twisted metal and the sorrowful human-interest story? Why did they have nothing but words on a teleprompter and silence from the editing room?
Countdown (Newsflesh Trilogy, #0.25)
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