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nothing could have been less poetic than my seeing-through-all boredom with life in general and with making a living in particular. I was too green to know that all cynicism masks a failure to cope – an impotence, in short; and that to despise all effort is the greatest effort of all.
It was partly the terror, the stripping-to-essentials, of love; because I fell totally and for ever in love with the Greek landscape from the moment I arrived. But with the love came a contradictory, almost irritating, feeling of impotence and inferiority, as if Greece were a woman so sensually provocative that I must fall physically and desperately in love with her, and at the same time so calmly aristocratic that I should never be able to approach her.
His eyes on mine, Conchis grimaced, as if he found death a joker. His skin clung very close to his skull. Only the eyes lived. I had the strange impression that he wanted me to believe he was death; that at any moment the leathery old skin and the eyes would fall, and I should find myself the guest of a skeleton.
Geckoes like seldom-used rooms.
‘It is what I mean by hazard. There comes a time in each life like a point of fulcrum. At that time you must accept yourself. It is not any more what you will become. It is what you are and always will be. You are too young to know this. You are still becoming. Not being.’
Duty largely consists of pretending that the trivial is critical,
The red-and-white skull-cap had tilted slightly. Now he looked like Picasso imitating Gandhi imitating a buccaneer.
I was experiencing what he meant; a new self-acceptance, a sense that I had to be this mind and this body, its vices and its virtues, and that I had no other chance or choice. It was an awareness of a new kind of potentiality, one very different from my old sense of the word, which had been based on the illusions of ambition. The mess of my life, the selfishnesses and false turnings and the treacheries, all these things could fall into place, they could become a source of construction rather than a source of chaos, and precisely because I had no other choice. It was certainly not a moment of
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That is the great distinction between the sexes. Men see objects, women see the relationship between objects. Whether the objects need each other, love each other, match each other. It is an extra dimension of feeling we men are without and one that makes war abhorrent to all real women – and absurd.