Paul Solt

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If it’s more than one person or issue, you’ve got a muddy conflict. And your scene is probably muddy, too. Only one conflict per scene, please. One is plenty. And whether it’s a large issue or a small one, something physical or something psychological, it must be there. Every scene. Every time. If you can’t find a conflict, figure out a way to create one.
Save the Cat!: The Last Book on Screenwriting You'll Ever Need
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