Yet during Nikon’s exercise of his patriarchate, he took a second initiative in liturgical reform which struck at the very heart of Russian tradition. In Russia, the details of Christian doctrine mattered much less to people than the details of Christian practice in worship. Popular religion based itself on the sacred drama which was the liturgical round controlled by the Church’s kalendar, but Nikon was conscious that in many respects this drama had departed from the script set by the contemporary Church in Constantinople. Moreover, it was mixed up with a good deal of local ritual which he
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