"In Bed" with Robert Hass
Posted by Goodreads on April 5, 2010
John Donne
Preferred Edition: The Complete Poetry and Selected Prose of John Donne (Modern Library). "Donne—the tone of his voice in the love poems—was one of the first voices in poetry that felt entirely alive to me and burned its way into my head. For depth, richness, intensity, human complexity, subtlety of thought, wit, surprise, he is inexhaustible."

Gerard Manley Hopkins
Preferred Edition: The Poems of Gerard Manley Hopkins (Oxford Paperbacks). "Hopkins may be the most purely gorgeous poet in the language. It's a small body of work, and he really has only three tones: an excited happiness, and tenderness, and despair. But I never take his poems from the shelf without being wakened up by them."

Walt Whitman
"I just edited a selection of the poems Song of Myself and Other Poems published by Counterpoint Press. But any edition of Leaves of Grass will do. I go to Whitman for life and invention in language and the depth of his feeling for the sheer abundance and variety of life. He got more of his world into his poems, I think, than any poet since Shakespeare."

Emily Dickinson
"Readers have to choose between The Complete Poems, edited by Thomas Johnson—that's the book I grew up on—and The Poems of Emily Dickinson, edited recently by R.W. Franklin, who took a fresh look at Emily Dickinson's manuscripts and made some revisions in the order of the poems and in the poems themselves. There is also a lovely Shambala Dickinson designed for the pocket and edited by my wife, Brenda Hillman, which is perfect for carrying around. For depth, for wit, for purity and strangeness of imagination, for the soul's dark hours, for its daily brightnesses, Dickinson has very few peers. I've been a little slow to see just how amazing she is. Reading her, thinking you know all the best poems, you keep finding new and surprising things."

George Oppen
Preferred Edition: The New Collected Poems (New Directions). "I could have made four or five lists of 20th century poets—five French poets, five Polish poets, five American modernists, five Latin American poets, etc. But one poet—with the criteria that (1) I wouldn't want to live without a volume of the poems at hand, and (2) that I take that book down from the shelf often to remind myself of a scent that matters to me in poetry. Oppen published one small book in the early '30s, set writing aside to do political work, served in the infantry in France in the Second World War, came back, and after 25 years, took up the work of poetry again. His idiom is spare, he means to say what he knows, as simply as possible, and the simpler the poems the more mysterious they are. For clear water, a scrupulousness of mind, I turn to Oppen."

Comments Showing 1-13 of 13 (13 new)
date
newest »

message 1:
by
Joanne
(new)
Apr 07, 2010 11:20AM

reply
|
flag

I had an experience with Robert Hass years ago
that I have never forgotten - I'd called him to check on some obscure Shakespeare punctuation - a bit like phoning up God to get the the varietal of the gourd he caused to bedevil Jonah - and the good and great Berkeley poet fell right in with the mood of hushed excitement - dropping everything to muck around in Shakespeare. Poetry is glory.
No other word for it.
I take that back.
Onward - Beth Coffelt





THUNDER
Lightning, then, of course, thunder.
We can get used to anything.
The window, lit up, shakes
& we’re comforted, pulling
the blankets to our chins. The dog,
half-blind, diabetic, fat as a woodchuck,
burrows between us, panting,
trembling like she’s never heard
thunder before. Maybe she hasn’t,
she lives so much in the moment.
Here’s her day: I was in. Now I’m out.
I was out. Now I’m in. You going
to eat that? You going to eat that?
I’ll eat that! Here’s her night so far:
What’s that? Thunder. What’s that?
Thunder. What’s that? Thunder.




