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Intertextual references in COSAM
By Traveller · 17 posts · 35 views
By Traveller · 17 posts · 35 views
last updated Nov 23, 2015 08:51AM
The Hoegbotton Guide to the Early History of Ambergris
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By Traveller · 3 posts · 24 views
last updated Nov 17, 2015 08:41AM
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We book lovers can’t help speaking of authors as “the next ....” We’re always keeping our eyes open for the next Jane Austen or the next Ernest Hemingway or the next Salman Rushdie or the next Ursula K. LeGuin, and we gleefully trumpet their arrival in our reviews. Of course, what we really ought to be looking for is the first China Miéville, the first Lisa Moore, the first Neal Stephenson, the first Iain Banks, the first whomever. When we find those authors who are truly themselves, we’ve reall
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He said: "A machine. A glass. A mirror. A broken machine. A cracked glass. A shattered mirror." I remember now the way he used the phrases at his disposal. Clean, fine cuts. Great, slashing cuts. Fractures in the word and the world.
"Some things should not be articulated. Some words should never be used in exact combination with other words." My father said that once, while reading a scathing negative review of one of his essays. He said it with a tired little sigh, a joke at his expense. His who ...more
"Some things should not be articulated. Some words should never be used in exact combination with other words." My father said that once, while reading a scathing negative review of one of his essays. He said it with a tired little sigh, a joke at his expense. His who ...more

The conceit of this novel -- that it's an afterword to a minor scholarly work that has gotten out of hand -- is delightful, as is its extra touch of being itself mysteriously annotated by the original author of the scholarly work. The author of the scholarly work, Duncan Shriek, is a historian of talent and unique experience but poor reputation; the afterword is by his sister, Janice Shriek, herself a notable figure in a certain epoch of the weird fungal kingdom-cum-colonial- city-state of Amber
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I love the books JVM is writing now--especially those of the Borne series--but there is a certain feeling I get reading his earlier novels (the Ambergris books, Veniss Underground) that no other books or movies can give me as effectively. There is this deep, underlying violence that guide these worlds, and although a violence is shown to us (in sometimes gruesome detail), what is ultimately felt is just a little off-kilter. The first book, "City of Saints and Madmen" (one of my favorite books of
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