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The title story is a futuristic nightmare written in 1967, with many echoes of the vengeful God of the Old Testament, and even the brief appearance of “a celestial chorus singing, ‘Go Down Moses.’” However, there is no humour or light relief. The near-omnipotent computer makes HAL from 2001 seem merely mean and misunderstood.
After a global war, there is just one supercomputer and five humans. For one hundred and nine years, they have been trapped beneath the Earth, the playthings of a progressiv ...more
After a global war, there is just one supercomputer and five humans. For one hundred and nine years, they have been trapped beneath the Earth, the playthings of a progressiv ...more

Harlan Ellison writes brilliantly. No lesser adjective can be used for his creations. They are exquisitely dark, cloyingly rich, and fiercely addictive. It is the equivalent of a drug trip on the nth level - the verbal equivalent of extremely powerful hallucinogens.
The title story is the darkest and the most powerful. In a post-apocalyptic world where humanity has been totally wiped out by an artificial intelligence which has gained sentience, the sadistic computer master keeps five human beings ...more
The title story is the darkest and the most powerful. In a post-apocalyptic world where humanity has been totally wiped out by an artificial intelligence which has gained sentience, the sadistic computer master keeps five human beings ...more

I tend to agree with Joanna Russ. She apparently told Ellison (he conveys) that she wished his stories were more re-readable, ie essentially that their deep structure and inner workings held up a little better under scrutiny after the initial breathless rush of the first reading. Because, probably just as these were composed, they read in torrents of whirling description and emotion, page turners to be sure, but in general I imagine that re-reading would drag somewhat. Ellison, seemed to mention
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