Wives and Daughters in Never too Late to Read Classics

Mar 25, 2017 Sara rated it it was amazing

Shelves: classics, literary-fiction, gutenberg-download

Set in the 1830’s, at a time when society was in flux, but the separations between the gentry and the commoner still tightly drawn, Wives and Daughters is a captivating glimpse into the lives of two girls, thrown into a blended family. Our main heroine, Molly Gibson, is a simple and honest girl, brought up by her father, a physician, and raised without the influence of a mother. Upon her father’s remarriage, she is introduced not only to the restrictiveness of a shallow and grating step-mother b Set in the 1830’s, at a time when society was in flux, but the separations between the gentry and the commoner still tightly drawn, Wives and Daughters is a captivating glimpse into the lives of two girls, thrown into a blended family. Our main heroine, Molly Gibson, is a simple and honest girl, brought up by her father, a physician, and raised without the influence of a mother. Upon her father’s remarriage, she is introduced not only to the restrictiveness of a shallow and grating step-mother but is also given a new sister exactly her age, Cynthia Kirkpatrick.

Molly is a lovely creation, that one cannot help admiring and liking very much, but Cynthia is one of the most interesting characters I have encountered for quite some time. She is so flawed, so in need of love and guidance (which she has certainly never received from her mother), so inconstant in her dealings with others and so terribly human. Yet, she is loveable and sweet and kind in so many ways, and her genuine love for Molly redeems her of being seen as unfeeling or conniving. Cynthia’s vacillation contrasts so starkly with Molly’s steady sureness. If ever you had a friend, you would wish it to someone of Molly’s ilk.

In parallel to this, Mrs. Gaskell weaves the stories of two brothers, Osbourne and Roger, of an ancient lineage and whose father has not quite made his way into the modern time in which he lives. The quality of character of these men is explored, as well, and they form an important part of the courting machinations that transpire. One cannot help thinking of Jane Austen when watching this ritual unfold that revolves far more in the mind of Mrs. Gibson than in any of the young people.

From the beginning of this novel, Elizabeth Gaskell had my full attention. The story moves rapidly despite its length and the various threads are all tied neatly together, so that even the minor characters fit into the puzzle in very pleasing ways. Unfortunately, Mrs. Gaskell died with the final chapter or two unwritten. So, while all the major plot lines are satisfied and you do not feel left hanging, there is still a sense of something unfinished at the end. I was not prepared for this and it felt quite more jarring than it might have had I realized it was an unfinished work. Even with this, I would not hesitate to recommend reading this novel. I think Elizabeth Gaskell deserves to be regarded perhaps a bit more highly than she has been and holds her own with her contemporaries, the Brontes.
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