Jane Eyre in Book Riot's Read Harder Challenge

May 01, 2011 Jessica rated it really liked it

I re-read Jane Eyre mostly because I wanted to read Wide Sargasso Sea, and I couldn't remember Jane Eyre much so figured I should start there first. Upon starting the book, I discovered that I actually didn't remember it at all and the whole experience was basically like reading it for the first time. I guess that's because the first time, I read it for a class, and I kind of remember reading it all in one or two sittings in order to meet a deadline. Somehow I had this vision of Mr. Rochester go ...more

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May 30, 2007 Jessica Haider rated it it was amazing

Shelves: 1001-books, fiction, favorites, classics, 1000_books

I never had to read "Jane Eyre" in school and as an adult several of my friends raved about how it was one of their favorite novels of all time, so I finally decided to read it. I am so glad that I did...and I am now one of those people that rave about it being a favorite novel. This gothic romance has its fair share of melodrama and one very memorable heroine. ...more

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Aug 31, 2007 Michelle rated it really liked it

Shelves: fiction, classics

i like heroines with integrity. and who struggle through life because they can't cruise by on their looks. ...more

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May 29, 2007 Erin rated it it was amazing · review of another edition

Shelves: multiple-reads, 2010

I love Jane Eyre because I love Jane Eyre. It's not the only reason, obviously, but it is one of the biggest ones. Jane is amazing. She follows her own moral compass -- and I know what "moral compass" sounds like, especially in a book from this time period. But she isn't Helen Burns (and, god, don't even get me started on Helen Burns), or Fanny Price from Mansfield Park. She's not just doing things because she is supposed to -- if that were the case, there would be no story. She would never even I love Jane Eyre because I love Jane Eyre. It's not the only reason, obviously, but it is one of the biggest ones. Jane is amazing. She follows her own moral compass -- and I know what "moral compass" sounds like, especially in a book from this time period. But she isn't Helen Burns (and, god, don't even get me started on Helen Burns), or Fanny Price from Mansfield Park. She's not just doing things because she is supposed to -- if that were the case, there would be no story. She would never even let herself fall in love with her employer, let alone forgive someone for lying about a previous marriage. But she doesn't leave Rochester because of what he does wrong. She can forgive him for that, she forgives him because she loves him, but she leaves him because she cannot possibly live with herself if she stays.

She is unfailingly, unflinchingly honest -- what lies does she tell? She uses an alias, which she almost immediately admits is not her true name. She says she has no family, which is something she believes to be true. She is smart and works hard, and always wants more. There is amazing growth between these pages, between Jane the ten-year-old, who faints in fear and hysteria, and Jane the eighteen-year-old, who mops up a bleeding wound for hours. There are heroines in other books who are funnier (though Jane doesn't get credit for how funny she can be -- as a child, when asked what she must do to avoid going to Hell, she replies, "I must keep in good health, and not die."), and more vivacious, but there aren't many I admire like Jane.

And you know, more of it is funny than you'd expect. I know -- how can the Gothic romance par excellence be funny? But it is. I dare you to keep a straight face at the image of gruff, unlovely Mr. Rochester dressed up as a gypsy woman, fooling fools into believing the fortunes he's telling. Try not to smile when Rochester is flirting with Jane before she leaves to visit a dying Mrs. Reed. In a book so heavy, so frequently upsetting, these little lighthearted moments are everything.

Is it perfect? Hell no. I still wish Rochester had had a better reason for dangling Blanche Ingram in front of Jane's face. Maybe this is my own problem, but I can forgive him more easily for lying about the crazy wife he locks up than for doing something so cruel just to make Jane jealous. He isn't even trying to divine her feelings -- he admits it, perfectly easily and without guilt. Not on, Rochester. Not on.

But I'm going to say that he makes up for it. People act as if Rochester is relentlessly harsh, constantly striding about in a giant black cloak, snapping at Jane. How would she fall in love with this? He's not that. I've thought more than once that Branwell Bronte must have been kind of a horrible person. I mean, let's look at some of the Bronte sisters' important male characters: Heathcliff of Wuthering Heights, who kicks puppies, Arthur Huntingdon of The Tenant of Wildfell Hall, who is a wife-beating alcoholic, and Rochester, who locks his crazy wife away. They're not nice men, and Branwell was an alcoholic and probably a laudanum addict. I can't help but think that he must have had an effect on their writing. Except, I don't really think that Rochester falls into this category. I understand the outrage, I know why things like The Madwoman in the Attic and Wide Sargasso Sea were written, but I also don't think that Rochester is, in his day-to-day behavior and his treatment of Jane and even Adele (is he nice? no - but take a look at what Heathcliff does to his ward and then call Rochester a bad guardian) a bad guy. Maybe Rochester is Branwell's redemption!

And what's up with the existence of St. John? I hate that guy.

But, hey, I love it. It makes me sad, which I like in a book, and it makes me happy, which I also like in a book, and it is a source of comfort. It's one of those books I can come back to again and again, never minding that I know exactly how it's going to end, never giving up hope that somehow Jane can be spared the pain she goes through.

And, quickly, a recommendation: it's been adapted for the screen roughly a thousand times, and none of the ones I've seen were perfect. Jane is often too timid, or Rochester is too harsh (and occasionally terrifying). The recent BBC adaptation starring Toby Stephens and Ruth Wilson isn't perfect either, but it captures the lighter side of the story really well (especially the flirting/money scene). It maybe takes it to too light a place, and Stephens is probably a little too handsome to truly be Rochester (though, who's really going to complain about that?). My friend is obsessed with Jane Eyre adaptations, and has organized them in order of preference -- I'm not that hardcore, but if you're looking for a decent one, I liked this a lot. ...more

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Aug 12, 2007 jenn rated it liked it

Shelves: 2010, 1001

People have been bugging me to read this book since I was about 13, and I tried several times as a teen, always giving up when Helen Burns died of TB. I'm glad I did, for a couple of reasons: 1. I didn't have the vocabulary, and, even now, appreciated reading this on my Kindle so I could look up various allusions to mythology and archaic geographical terms and 2. I really didn't need Jane and Rochester as some sort of example of a relationship norm during my formative years.

But, whatever, I'm gr ...more

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Mar 26, 2008 Rae rated it liked it

Shelves: classics

When I was in high school, this book would have been rated off the charts. I lived and breathed it. But reading Jane Eyre as an adult was a different matter. It is so dark and I found myself quite repulsed by the unhealthy relationship between Jane and Mr. Rochester. Such misogyny these older classics contain...definitely a reflection of their times.

Having said that, though, there is much to enjoy in the story. The themes of change, repentance, and the search for happiness. The contrasts of ligh ...more

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Apr 28, 2012 Deb rated it it was amazing

Oh, Jane... you are a spitfire. :) As with most classics that I read in high school, I'm thrilled I went back to read this one again. Jane, Mr Rochester... richly drawn, flawed characters who you truly want to find happiness. Loved it! ...more

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