The Dispossessed: An Ambiguous Utopia in The Alternative Worlds

Feb 05, 2012 mark monday rated it really liked it · review of another edition

Shelves: scifi-60s-70s-80s

Why America Is Full of Toxic Bullshit and Why Ambiguous Utopias Need to Check Themselves Before They Wreck Themselves Going Down the Same Fucked-Up Path
by Ursula K. Le Guin.

this excellent novel-cum-political treatise-cum-extended metaphor for the States lays its thesis out in parallel narratives. in the present day (far, far, far in the future), heroically thoughtful protagonist Shevek visits the thinly-veiled States of the nation A-Io on the planet Urras in order to both work on his Theory of Why America Is Full of Toxic Bullshit and Why Ambiguous Utopias Need to Check Themselves Before They Wreck Themselves Going Down the Same Fucked-Up Path
by Ursula K. Le Guin.

this excellent novel-cum-political treatise-cum-extended metaphor for the States lays its thesis out in parallel narratives. in the present day (far, far, far in the future), heroically thoughtful protagonist Shevek visits the thinly-veiled States of the nation A-Io on the planet Urras in order to both work on his Theory of Simultaneity and to pave the way for change on his homeworld. in chapters that alternate with this trip to Urras, we watch Shevek grow from boy to man on the anarcho-communist Anarres - the "Ambiguous Utopia" of the novel's subtitle. Urras and Anarres form a double-planet system within the Tau Ceti star system. The planets have a difficult relationship: 150 years prior, revolutionaries from Urras were given the mining planet of Anarres in order to halt their various revolutionary activities throughout the Urran nations. Upon establishment of their colony, Anarres cut off all but the most basic contact and trade with the despised "propertarians" of Urras.

The Dispossessed is a fiercely intelligent, passionate, intensely critical novel - yet it is also a gentle, warm and very carefully constructed novel as well. ideas do not burn off the page with their fiery rhetoric - everything is deliberately paced; concepts and actions and even characterization are parsed out slowly. its parallel narratives are perfectly executed, with different plot themes and character backgrounds brought up, expanded upon, and often reflecting upon each other. ideas are unspooled in multiple directions and serve to continually challenge reader preconceptions. overall this is not a novel that quickens the pulse (although there is some of that) but is instead a Novel of Ideas. if you are not in a contemplative mood, if you have no interest in systems of government or human potential or theoretical physics, then this is probably not the novel for you. it is a book for the patient reader - one who actually enjoys sitting back and thinking about things. Le Guin's prose does not jump up at you; nonetheless, she is a beautiful writer - equally skilled with the little details that make a scene real and and with making the Big Concepts understandable to dummies like myself. and Le Guin is a sophisticated writer. she seems constitutionally unable to write in black & white - everything is multi-leveled, nothing is all bad, nothing is perfect. humans are fallible; ideas are fallible. everything must change and yet the past is ever a living part of the present.

America as A-Io is where much of Le Guin's passion is displayed. however, the time spent in A-Io (roughly half the novel due to the alternating chapters) did not exactly challenge me. perhaps because i am already critical of the good ole U.S. of A., and have engaged in plenty of political shenanigans throughout my life, i wasn't reading anything new. i am the choir to whom the novel preached. still, i'm not sure i would say that this is Le Guin's fault. it's probably my fault, being an unpatriotic asshole who both loves and hates this crazy place, and who is in agreement regarding all the negative points - and the positive ones too (introduced fairly late in the novel by a Terran envoy). i am automatically sympathetic to all the points made about the ivory tower of education, hypocritical politicians, unncessary wars, the poisonous yet hidden class system, the demeaning of women, etc. still, despite my lack of enthusiasm about A-Io, this is also where some of the most wonderful writing occurs, and where some of the most mind-expanding concepts are described.

where the novel really shines is in the depiction of the Ambiguous Utopia, Anarres. everything is not peachy-keen on this arid, sadly animal and grass-free desert world. the ideals that created Anarres are indeed admirable; it was awesome to see my own (and countless others') anarcho-socialist jerkoff fantasies about how perfect it would be if we were all truly able to share, all able to chip in to help each other, if materialism was seen as an abomination, if we were able to give up on ridiculous hierarchical structures, etc, etc, et al enacted in a fairly realistic way and in a very positive light. but of course this is an "Ambiguous" Utopia, so Le Guin also shows how basic, power-craving, territorial human nature will always surface... how cooperative, communal living can also stamp down the individual, how it can make being different seem like a threat... how other-hatin' tribalism is ultimately toxic, no matter the tribe, no matter the utopia, no matter if the tribe is an entire nation - or world. Le Guin makes a utopia, then she nearly unmakes it by unmasking all of its issues and ugliness... but she does not denounce it. i loved that. Le Guin and Shevek still see the beauty in this culture, in a place that is anti-materialist, anti-capitalist; their goal is to explore how such a system can truly be maintained - in a way that is genuine and that respects the invididual, a society that is continuously revolutionary. and the true enemies of revolution are complacency and stasis.

a closing word and quick circle-back to the sophistication of Le Guin's writing: i loved how Shevek's Theory of Simultaneity was reflected within the book's structure and by the political and moral themes as well. an example:

"But it's true, chronosophy does involve ethics. Because our sense of time involves our ability to separate cause and effect, means and end. The baby, agan, the animal, they don't see the difference between what they do now and what will happen because of it. They can't make a pulley, or promise. We can. Seeking the difference between now and not now, we can make the connection. And there morality enters in. Responsibility. To say that a good end will follow from a bad means is just like saying that if I pull a rope on this pulley it will lift the weight on that one. To break a promise is to deny the reality of the past; therefore it is to deny the hope of a real future. If time and reason are functions of each other, if we are creatures of time, then we had better know it, and try to make the best of it. To act responsibly."

...more

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Mar 26, 2008 Brad rated it it was amazing

Shelves: to-read-again, sci-fi, political, the-best, faves, revolution, speculative, mieville50, anarchism

As a semi-retired actor, there are many literary characters I'd love to play, and for all kinds of reasons. Cardinal Richelieu and D'Artagnan spring immediately to mind, but there are countless others: Isaac Dan der Grimnebulin (Perdido Street Station), Oedipus, Holmes or Watson (I'd take either), Captain Jack Aubrey (I'd rather Stephen Maturin, but I look like Jack), Heathcliff, Lady Macbeth (yep, I meant her), Lady Bracknell (nee Brancaster), Manfred, Indiana Jones. But none of them are people ...more

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Jul 25, 2009 Kara Babcock rated it it was amazing

Shelves: science-fiction, own, favourites, 2009-read, utopia-dystopia, 2009-best10, hugo-winner, nebula-winner

The success of The Dispossessed lies in Le Guin's presentation of two distinct visions of utopia. Each feels that the other is an aberration. Both are superior to the contemporary government of Earth, which at this stage has just barely managed to avoid destroying Earth's biome. Yet both are dysfunctional, have strayed from whatever utopian ideals may have founded them. They are not failed experiments, but they are not entirely successful either—owing to human nature—and Le Guin shows us the bes ...more

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Mar 18, 2008 Wealhtheow rated it it was amazing

Shelves: queer-characters, sci-fi

Shevek is a brilliant physicist living on Anarres. His world is actually a moon populated with the anarchist rebels of Urras. Anarres is utopic in many ways, but stifling to free thought, so Shevek flees to Urras. There, he finds himself too swaddled in privileges.

My inarticulate summary doesn't give the slightest hint of how incredible this book is. Le Guin turns her thoughtful, earthy eye on each form of government and lifestyle in the 9 Known Worlds, from the utilitarian anarchists to the ov ...more

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Mar 16, 2012 Daniel Roy rated it it was amazing · review of another edition

Shelves: sf, favorite, wwe-gmrc, sf-masterworks

Calling this book "perfect" would do it an injustice. Its brilliance is not so much in meeting SF standards, but in exceeding them and leaving them far behind.

The Dispossessed is a complex novel. It's not complex in terms of structure or themes; it's not a hard book to read. Quite the opposite. But it manages to touch on so many aspects of the human experience at once that it's hard to sum up what makes it so fascinating.

At the heart of it all is Shevek. Shevek, so complex and delightful to read Calling this book "perfect" would do it an injustice. Its brilliance is not so much in meeting SF standards, but in exceeding them and leaving them far behind.

The Dispossessed is a complex novel. It's not complex in terms of structure or themes; it's not a hard book to read. Quite the opposite. But it manages to touch on so many aspects of the human experience at once that it's hard to sum up what makes it so fascinating.

At the heart of it all is Shevek. Shevek, so complex and delightful to read. Shevek's a hero, an outcast, a brilliant physicist, an idealist, an alien, a father, a lover, and perhaps even a revolutionary. He's so many things at once that the only word to describe him is real. He anchors the whole story, brings it to life, fills it with emotion and thought. Through Shevek, Le Guin explores a plethora of themes: anarchism, politics, science, inspiration, love, responsibility, injustice, freedom. He's the most realistic and inspirational fictional scientist I have ever read, and yet there is still time for him, in a mere 300 pages, to be a caring father and a poignant lover. Shevek's awesome.

Some readers see in this book a plea for anarchism. I like the political theory, especially Noam Chomsky's take on it, which he calls social libertarianism. By tackling anarchism, Ursula Le Guin is doing what SF should aspire to do every time: she explores a Great Idea, playing with it to see if it's possible. In that sense, yes, she gives anarchism center stage, and gives it the space to make its plea. But I don't think she set out to write a straight-up inspirational Utopia. Anarres doesn't sound like such a great place to live.

The utopia of The Dispossessed is Shevek, not Anarres. Anarres' brand of anarchism is broken, bogged down by the usual power struggles and human pettiness. Anarres forgot that a revolution must continue, lest it becomes the new order. The real anarchist revolution of this story is Shevek. He is a stranger in his own home, and he exiles himself to another world to find it again. In so doing, he touches both worlds in unexpected ways--and far beyond.

I can already see that this first read of The Dispossessed won't be my last. This is SF of the first order, one that enriches my own world by its mere existence as a thought experiment. And besides, I have a feeling I'll miss Shevek if we spend too much time apart. ...more

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Jul 13, 2009 Sarah rated it it was amazing · review of another edition

Shelves: sf

Wow.
At the time that I went to see LeGuin speak in the early nineties, I had read The Lathe of Heaven, the Earthsea books, and a collection of essays. I wish now, having finally read The Left Hand of Darkness and The Dispossessed this year, that I could go back to that lecture and listen to it with more appreciation for her utter genius.
These are two of the finest SF novels I've ever read. Of course they are: they won every award they could for a reason. They're classics in the genre for a reas ...more

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Jun 04, 2008 Nicky rated it liked it · review of another edition

Shelves: speculative-fiction

The way she handles communism in this book is very interesting. I didn't really feel as if I'd been told how to feel, one way or the other, about communism. It's interesting the way she plainly has her thoughts on things, but mostly just presents them -- or in my opinion, that's what she does. I found The Dispossessed a little slow, a bit hard to get into, and I didn't really care for the characters, but the ideas were interesting.

ETA: Ignore my eighteen year old self; of course it's about anarc ...more

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Jun 14, 2010 Michelle rated it it was amazing

Shelves: sci-fi, 1001-books, dystopia, feminism, book_club, award_winner, grand_masters

LeGuin is perhaps a writer's writer. in many ways, her worlds and her thoughts, and most especially the words she builds them with, take precedence over character and plot. though the setting is bleak and utilitarian, this is an utterly beautiful book.

physicist Shevek hails from an anarchist communist world that split off from the infighting class structure of the nearby sister planet a couple hundred years ago. alone among his comrades, he journeys back to the homeworld (the why of that journey ...more

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