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(group member since Apr 09, 2012)
Uvi’s
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from the The Creative Spark with Uvi Poznansky group.
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So what will it be this time, you ask? Well, because now we are talking a lot about sound and voice, here is the new activity:
http://uviart.blogspot.com/2013/04/jo...



"Congratulations, A Favorite Son is now on sale at audible.com. And we plan to make it available on iTunes and Amazon.com within the next few days."
A Favorite Son


He is a man of a thousand voices... His wife must be very confused every time she calls him...

Thank you so much, Angela!

To which he roars, “You do nothing, you! You cook, you hide. Coward! Aha, coward you!”
He takes one step forward; I take two back. The arrows slung over his shoulder clink against each other. It is a steely, menacing sound. With one blow of his hand, he smacks down the canvas; and, on the double, the entire tent is flattened into a lopsided mess, collapsing upon itself; its pegs flying clear out, bouncing over and over, over the soft sand.
He gets in my face; we are standing nose to nose. The moment I have dreaded all my life is suddenly upon me, and there is no way to withdraw. I have to face him, which forces me to examine him closely...
This excerpt, in Yankle's voice, captures the beginning of a dialog between him and his twin brother Esav, who is coming back from a day of hunt utterly famished, and tested to the limit of his wits by the smell of the lentil stew. Here is this snippet in audio:
To listen to this audio excerpt, click the link
http://uviart.blogspot.com/2013/03/ar...




Hi Gloria! Great to hear your voice here! That is quite a mission, to come up with a book each year. btw, lovely blog, and a timely post for Easter! I am looking forward to a creative exchange, please feel free to post about your work and your creative process!

https://www.facebook.com/events/31888...


His hands go in, searching playfully for her feet, touching the creamy skin, fondling her toes, rolling each one of them ever so slightly between his fingers; which makes her arch her back, stretch out her arms, and twist her body around until she is turned over, on her back. She points her toes towards him with a cry of pleasure.
Anita utters a groan as he applies gentle pressure to the soles of her feet, caresses the arches, the heels, the ankles. Her knees spread open and fall apart, until she takes control of herself and brings them together—only to have them spread open again.
I close my eyes because this way, I can see with greater clarity. The entire blanket is coming alive, folding and unfolding, stirring with their passionate tangle. From time to time the ripples rise to mark the line of his back, or the curve of her embrace."
Ben in Apart From Love
Get the print edition of this highly-praised novel, in time for Easter!
46 Amazon reviews, ★★★★★
http://www.amazon.com/Apart-Love-Uvi-...

The title of my story is A Favorite Son. Sounds familiar? Maybe because its Kindle edition has been published a couple of months ago. To my surprise, the story was received with great acclaim. So now there are two great developments which I would like to share with you: first, the story just about to come out as a paperback book! And the second--even better!--it is just about to come out as an audiobook!
Where did the idea come from for the story?
I have long been fascinated with the story of Jacob and Esav, which to me, captures several layers of emotions which we all go through in our families: a rivalry between brothers, the way a mother’s love, unevenly divided, can spur them to action, to crime, even; and how in time, even in the absence of regret, a punishment eventually ripens.
What genre does your story fall under?
The best definition I can offer for a genre is this: it is a new-age-biblical-twist genre, set in the twenty-first century, in a primitive camp of tents at the frontier of the desert in Canaan, in what seems, at first, to be an innocent fable.
Which actors would you choose to play your characters in a movie rendition?
I am going to change the question... Why, you ask? Because when your book is picked up for a major movie deal, this success--incredible as it may be--usually comes with a caveat: your work will be used by the screen writers merely as a suggestion, so it remains to be seen how much of the original text is retained in the final cut... However, when your book is picked up for narration, every sentence, every turn-of-a-phrase, every breath and pause in the original text is not only retained, but comes to life in the voice of the narrator.
So let me rephrase the question as follows: which actors would you choose to play your characters in a narrated rendition? Ah! What a great question! I would choose an actor with a great literary skill, one that can interpret the layers of meanings in my story, and one that has versatile voices in him. In short: David Kudler, and I had my heart set on him the moment I heard his audition.
David has been a voice and stage actor, a writer, and a book editor for over twenty years. Since 1999, he has been in charge of publications for the Joseph Campbell Foundation. As you can see, he is a man for all seasons... As a narrator, he has a warm, versatile voice, and a great ear for character and dialect. For A Favorite Son, he plays Yankle, Esav (Yankle’s brother), Isaac (Yankle’s father), Becky (Yankle’s mother) and Eliezer (Becky’s butler.) For each one of these characters, there is a distinct voice!
What is the one-sentence synopsis of your story?
This is a present-day twist on the biblical story of Jacob and his mother Rebecca plotting together against the elderly father Isaac, who is lying on his deathbed, in order to get their hands on the inheritance, and on the power in the family.
Will your book be self-published or represented by an agency?
My book--in its paperback and ebook editions--will be self-published. I enjoy every aspect of the publishing process: the cover design most of all, as well as the interior design. Once my book is written and edited, I have an quick turnaround time to having it published--usually within a week. The audiobook edition, obviously, takes longer, because it involves a creative exchange of ideas between the narrator and me.
How long did it take you to write the first draft of your manuscript?
Start to finish, this book took me six weeks. But it had been brewing in me for several years before that. Being an artist, I expressed it through sculpture. So here you can see Yankle and his mother Becky, plotting to cheat the father, and unable to look each other in the eye as they are doing so.
What other books would you compare this story to within your genre?
The Red Tent.
Who or What inspired you to write this story?
When I read the biblial story, the characters presented themselves before me. But beware: when reading my story, do not seek clear distinction between heroes and villains: no one is wholly sacred, because--like Yankle, the main character here--we are all made of lights and shadows, and most of all, doubt.
What else about your story might pique the reader’s interest?
Perhaps, an excerpt? Here is Yankle’s description of the last moments he has with Becky, his mother, which they spend plotting how to deceive Isaac, his father.
“By and by, a perfect calm comes upon me. I have no thought in my head, no clue that this is to be the last sunrise, the last morning that I spend with my mother; no premonition that our time together is running out, and that I should kiss her, and hug her, and bid her farewell.
Yet for some reason, glancing around me, I commit to memory every aspect of this scene, every detail: The vivid pattern of the rug, spread across the dirt floor. The embroidered silk pillows, leaning against the woven headrest. The little blemish, barely visible in the corner of the blanket. The silver thread coming apart, at one point, at the bottom of the canvas. The jug of water, half hidden behind the curved leg of the bed...
This hour is so intimate; so sweet, and it is fast coming to its bitter conclusion.
And the only thing that disturbs me, the only thing that stands here between us, is not being able to look each other in the eyes, during the last moments that remain to us.”

Anita in Apart From Love
To hear these words breathed out in her voice, click here: http://uviart.blogspot.com/2013/03/an...

Ben in Apart From Love

Here is a timely excerpt, especially for Passover, a flashback to Passovers past:
"If I were to focus strictly on my parents, ignore the entire background of this place, and let the clutter and the smell of it just fall away, this could take me back to a different time, a time in my childhood, when our kitchen table was set for the Passover meal. What comes back to me first is the tinkle, as my father finished blessing the wine, and clinked his glass against hers, against mine.
I remember: the table was draped, all the way down to the floor, with mom’s best, rarely used tablecloth, made of the smoothest ivory satin you ever touched. Dad sat at the head of the table, mom to his right, I opposite her.
All day long she had been cooking, which infused the air with a wonderful aroma. In it you could detect a sharp whiff of horseradish and of gefilte fish and sweet brisket and red cabbage and roasted potatoes, all of which made my stomach growl. It went on growling until he finished reading the long, archaic text in the Hagadda, which meant little to me, except a vague notion of the utter futility of patience.
I remember: my mother ladled the clear, golden chicken soup and set it here, steaming before my eyes, with three matzo balls floating inside, which was her way of giving. “It’s hot,” she said. “Make sure to blow on it first.” Yes, the smell of her cooking was good, but then, the taste! Just wait till you took the first bite—"

His hands go in, searching playfully for her feet, touching the creamy skin, fondling her toes, rolling each one of them ever so slightly between his fingers; which makes her arch her back, stretch out her arms, and twist her body around until she is turned over, on her back. She points her toes towards him with a cry of pleasure.
Anita utters a groan as he applies gentle pressure to the soles of her feet, caresses the arches, the heels, the ankles. Her knees spread open and fall apart, until she takes control of herself and brings them together—only to have them spread open again.
I close my eyes because this way, I can see with greater clarity. The entire blanket is coming alive, folding and unfolding, stirring with their passionate tangle. From time to time the ripples rise to mark the line of his back, or the curve of her embrace."
Ben in Apart From Love

Sure did... And in a way, that's what fables are for: to allow us to talk about hidden meanings in a safe way... I do something of the sort with A Favorite Son.