Paula’s
Comments
(group member since Oct 28, 2015)
Paula’s
comments
from the Science Fiction Microstory Contest group.
Showing 301-320 of 1,088

NOTE also that all, or nearly all, authors were, in these cases, easily reachable for obtaining permissions (forms) from. If you're planning to do this for longer than a single year's worth of stories--let alone if you're thinking of doing it for the years all the way back to early 2013/late 2012--well, have fun getting those permissions (finding current e-addresses may be quite a job in itself).
I don't mean to be discouraging--just suggesting it's more a job than it looks like. Also, what did you have in mind re "editing" the pieces, Justin? Copyediting for consistency--within each story? among the stories for consistency throughout the book (e.g., of spellings)? Surely not content editing--? "Editing" of specific word choices for clarity of oral form of book--? Or---???
"Best of" would be a mistake, I think, given what happened after that was tried for Future Is Short *2. Author's choice of 1 (or 2, or 3?) story/ies would be far more manageable and less likely to cause splits in this group or limit it to only one or two types/styles of stories.
I'm happy to do some of the editing, but only to limited extent.
Congrats to Justin Sewall and Greg Krumrey, tied champions of the Science Fiction Microstory Contest
(15 new)
Apr 27, 2021 03:32PM

First, Jeremy, what a sensational story! Beautifully written, draws the reader in immediately, well paced, and exceptional world-building and characters one can connect to.
Chris---the tale is complex and suspenseful, a wonderful sense of time and distance! and your writing flows, for the most part, excellently!
Jot--some great dialogue; wit and swiftly paced unfolding. In my opinion, the story might work better if slowed down and expanded with more details, more sense of the characters.
Wow, Justin, you really make us feel for your protagonist--a sad, even tragic, tale.
Kalifer, interesting story--perhaps it might be sharper if you can have it end at exactly the moment the reader catches on what's coming.

Oh dear, I hadn't noticed that! Which is to say, it works seamlessly.

Kalifer, let me try to come up with a clean example of its usage.
Glad you had an easier time with higher level math than me, Paula."
--Jot, fwiw, everyone I knew in higher level math courses, including me, worried, at least some of the time, that they weren't doing math well enough. It had nothing to do with one's actual ability.

I've had a very uninteresting life but for a while, in the mid-1980s, I was one of the most widely read writers in North America, as I wrote most of the movie and netw..."
OH my, bet I read a bunch of those capsule descrips/reviews, too. So far, my own 3-word review for Brickweavers is "excellent--gripping--imaginative."


Re myself--I'm old and have been writing poems and stories since age 8 or 9, was 17 when I first had a story accepted for publication. I did a math major at Cornell, but realized (1) at least a couple of real people did math better, and (2), as a colleague said, "To do anything creative in math, you must get as intensely involved in thinking math as in thinking philosophy"--so I switched to philosophy. Happily, except, as you know, the wee difference in pay scales.
Subsequently, I went into creative writing, the antiwar movement, and the underground press, had kids, took office jobs, did p.r., joined writers groups, and took a writing workshop taught by Ursula Le Guin. I've had two novels and bunches of short stories and poems published. Plus mountain hiking, photography, and a stint in France. :) Since you asked.


Loved the story the first time I read it, Jot, but I recall that that month Paula had done something of a magic trick with a story that brought home the horrors ..."

---Jot--yeah. That too.

How much stronger, more powerful, and more affecting your story/your writing seems now, Jot. Terrific work.
Feb 27, 2021 01:19PM

Agreeing with Greg and Alina--how much science or tech is a matter of taste. And can vary with the style, the intent, etc. of a story.
