Narrator


Room
The Art of Racing in the Rain
Tress of the Emerald Sea (Hoid's Travails, #1)
The Panda Problem
The Remains of the Day
We Have Always Lived in the Castle
The Catcher in the Rye
The Book Thief
Home Is Where the Bodies Are
Babymoon or Bust
The House in the Cerulean Sea (Cerulean Chronicles, #1)
Danger in Numbers (Amy Larson & Hunter Forrest FBI, #1)
Tear Me Apart
Poopsie Gets Lost
The Bell Jar
Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire SáenzSomething Like Summer by Jay BellSimon vs. the Homo Sapiens Agenda by Becky AlbertalliGives Light by Rose ChristoWill Grayson, Will Grayson by John Green
Best Gay Novels for Young Adults
341 books — 548 voters
Watership Down by Richard  AdamsCharlotte’s Web by E.B. WhiteInto the Wild by Erin HunterThe Call of the Wild by Jack LondonThe Incredible Journey by Sheila Burnford
Animal Xenofiction (Nonhuman POV)
457 books — 163 voters

The Great Gatsby by F. Scott FitzgeraldThe Little Prince by Antoine de Saint-ExupéryThe Best Christmas Pageant Ever by Barbara RobinsonWuthering Heights by Emily BrontëStargirl by Jerry Spinelli
Bystanders
28 books — 20 voters

Othello by William ShakespeareThe Great Gatsby by F. Scott FitzgeraldGone with the Wind by Margaret MitchellNineteen Eighty-Four by George OrwellThe Adventures of Huckleberry Finn by Mark Twain
The Greatest Liars & Cheaters
128 books — 57 voters
The Bad Beginning by Lemony SnicketI am a Genius of Unspeakable Evil and I Want to be Your Class... by Josh LiebDavid Copperfield by Charles DickensSkulduggery Pleasant by Derek LandyThe Hobbit by J.R.R. Tolkien
Love Listening
19 books — 3 voters

Vivian Gornick
In all imaginative writing sympathy for the subject is necessary not because it is the politically correct or morally decent posture to adopt but because an absence of sympathy shuts down the mind: engagement fails, the flow of association dries up, and the work narrows. What I mean by sympathy is simply that level of empathic understanding that endows the subject with dimension. The empathy that allows us, the readers, to see the "other" as the other might see him or herself is the empathy that ...more
Vivian Gornick, The Situation and the Story: The Art of Personal Narrative

Vera Nazarian
All stories have a curious and even dangerous power. They are manifestations of truth -- yours and mine. And truth is all at once the most wonderful yet terrifying thing in the world, which makes it nearly impossible to handle. It is such a great responsibility that it's best not to tell a story at all unless you know you can do it right. You must be very careful, or without knowing it you can change the world. ...more
Vera Nazarian, Dreams Of The Compass Rose

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