Modernity


All That Is Solid Melts Into Air: The Experience of Modernity
Liquid Modernity
A Secular Age
We Have Never Been Modern
Sources of the Self: The Making of the Modern Identity
The Theological Origins of Modernity
The Consequences of Modernity
After Virtue
The Malaise of Modernity
Modernity and Self-Identity: Self and Society in the Late Modern Age
Modernity and the Holocaust
Cosmopolis: The Hidden Agenda of Modernity
The Philosophical Discourse of Modernity: Twelve Lectures (Studies in Contemporary German Social Thought)
Modernity at Large: Cultural Dimensions of Globalization
الدولة المستحيلة: الإسلام والسياسة ومأزق الحداثة الأخلاقي
The Picture of Dorian Gray by Oscar WildeAgainst Nature by Joris-Karl HuysmansLes Fleurs du Mal by Charles BaudelaireThe Great Gatsby by F. Scott FitzgeraldHeart of Darkness by Joseph Conrad
Decadence & the Fin-de-Siècle
242 books — 205 voters
Anti-Tech Revolution by Theodore John KaczynskiTechnological Slavery by Theodore John KaczynskiIndustrial Society and Its Future by Theodore John KaczynskiTechnological Slavery by Theodore John KaczynskiCollapse by Jared Diamond
Critics of Progress
55 books — 42 voters

This Changes Everything by Naomi KleinThe Shock Doctrine by Naomi KleinCapitalist Realism by Mark FisherOut of the Wreckage by George MonbiotFour Futures by Peter Frase
Problems of Late Capitalism
193 books — 28 voters
Journey Into Mexico by Alex GrandThe Interior Circuit by Francisco GoldmanDown and Delirious in Mexico City by Daniel HernandezThe Mexico City Reader by Rubén GalloBlood Gun Money by Ioan Grillo
Mexico in Motion
24 books — 12 voters

Vizi Andrei
In an abundant world, productivity is about eliminating bad habits; then adding good ones. In an abundant world, knowledge is about filtering, rather than gathering, information. In an abundant world, discipline is the new freedom. In an abundant world―less is more; and more is less.
Vizi Andrei, Economy of Truth: Practical Maxims and Reflections

Nicolás Gómez Dávila
I distrust every idea that doesn’t seem obsolete and grotesque to my contemporaries.
Nicolás Gómez Dávila

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