Impressionism


The Swan Thieves
The Judgment of Paris: The Revolutionary Decade That Gave the World Impressionism
Luncheon of the Boating Party
Claude & Camille: A Novel of Monet
The Private Lives of the Impressionists
Impressionism
Impressionism: Art, Leisure, and Parisian Society
The Painted Girls
Mrs. Dalloway
Paris in Ruins: Love, War, and the Birth of Impressionism
Linnea in Monet's Garden
Lydia Cassatt Reading the Morning Paper
Renoir, My Father
Mad Enchantment: Claude Monet and the Painting of the Water Lilies
Monet: Or the Triumph of Impressionism
Belgische schone. Ensor tot Magritte by Johan De SmedtThe Death of the Heart by Elizabeth BowenPerles belges  by Johan De SmetLa muerte del corazón by Elizabeth BowenLa morte del cuore by Elizabeth Bowen
Théo Van Rysselberghe Paintings
6 books — 1 voter
Bauhaus by Jeannine FiedlerThe Indiscipline of Painting /anglais by CLARCK MARTINFinding Vincent by Les FurnanzWild by Graham BoyntonAction Painting by Robert Fleck
Art -‘isms’ of the 20th Century
102 books — 4 voters

The Painted Girls by Cathy Marie BuchananDancing for Degas by Kathryn WagnerMarie, Dancing by Carolyn MeyerDancing Through Fire by Kathryn LaskyThe Art Forger by Barbara A. Shapiro
Degas Fiction
17 books — 13 voters
The Virgin Blue by Tracy ChevalierWo Frauen ihre Bücher lesen by Dörthe BinkertPaul Cesar Helleu by Frederique de Watrigant
Paul César Helleu Paintings
3 books — 3 voters

Frauen und ihre Katzen by Dörthe BinkertAlice in Wonderland and Through the Looking Glass by Donald RackinBerthe Morisot  by Malika BauwensBerthe Morisot by Jean-Dominique ReyBerthe Morisot by Joséphine Bindé
Berthe Morisot Paintings
6 books — 2 voters
Frauen am Meer by Tania Schlie
Frank Weston Benson Paintings
1 book — 1 voter

Virginia Woolf
(...) Nuży mnie własny pokój i nuży mnie niebo. Moje istnienie skrzy się tylko wtedy, gdy wszystkie jego ścianki wystawione są na wzrok wielu ludzi. Niech się nie zjawią, a jestem pełen dziur i kurczę się jak spalony papier.
Virginia Woolf

Arnold Hauser
With these innovations, however, the succession of reductions employed by the impressionist method is by no means exhausted. The very colours which impressionism uses alter and distort those of our everyday experience. We think, for example, of a piece of ‘white’ paper as white in every lighting, despite the coloured reflexes which it shows in ordinary daylight. In other words: the ‘remembered colour’ which we associate with an object, and which is the result of long experience and habit, displa ...more
Arnold Hauser, The Social History of Art: Volume 4: Naturalism, Impressionism, The Film Age

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