Impressionism


The Swan Thieves
The Judgment of Paris: The Revolutionary Decade That Gave the World Impressionism
Luncheon of the Boating Party
Claude & Camille: A Novel of Monet
The Private Lives of the Impressionists
Impressionism
Impressionism: Art, Leisure, and Parisian Society
The Painted Girls
Linnea in Monet's Garden
Mrs. Dalloway
Lydia Cassatt Reading the Morning Paper
Renoir, My Father
Paris in Ruins: Love, War, and the Birth of Impressionism
Mad Enchantment: Claude Monet and the Painting of the Water Lilies
Monet: Or the Triumph of Impressionism
The Girl from Paris by Joan AikenHet lijf van een vrouw is een gedicht by Heinrich HeineFrauen und ihre Bücher by Johannes ThieleThe Seed and the Vision by Eleanor CameronL'educazione sentimentale. Storia di un giovane by Gustave Flaubert
Pierre-Auguste Renoir Paintings
10 books — 2 voters
Lucy Gayheart by Willa CatherLucy Gayheart by Willa Cather
Philip Wilson Steer Paintings
2 books — 1 voter

Bauhaus by Jeannine FiedlerThe Indiscipline of Painting /anglais by CLARCK MARTINFinding Vincent by Les FurnanzWild by Graham BoyntonAction Painting by Robert Fleck
Art -‘isms’ of the 20th Century
102 books — 4 voters
Belgische schone. Ensor tot Magritte by Johan De SmedtThe Death of the Heart by Elizabeth BowenPerles belges  by Johan De SmetLa muerte del corazón by Elizabeth BowenLa morte del cuore by Elizabeth Bowen
Théo Van Rysselberghe Paintings
6 books — 1 voter

The Yellow Wallpaper / Herland by Charlotte Perkins GilmanLady Chatterley's Lover by D.H. Lawrence
Federico Zandomeneghi Paintings
2 books — 1 voter
Freundinnen by Dörthe Binkert
Lawton S. Parker Paintings
1 book — 1 voter

Arnold Hauser
With these innovations, however, the succession of reductions employed by the impressionist method is by no means exhausted. The very colours which impressionism uses alter and distort those of our everyday experience. We think, for example, of a piece of ‘white’ paper as white in every lighting, despite the coloured reflexes which it shows in ordinary daylight. In other words: the ‘remembered colour’ which we associate with an object, and which is the result of long experience and habit, displa ...more
Arnold Hauser, The Social History of Art: Volume 4: Naturalism, Impressionism, The Film Age

Virginia Woolf
(...) Nuży mnie własny pokój i nuży mnie niebo. Moje istnienie skrzy się tylko wtedy, gdy wszystkie jego ścianki wystawione są na wzrok wielu ludzi. Niech się nie zjawią, a jestem pełen dziur i kurczę się jak spalony papier.
Virginia Woolf

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