Ethnology


Guns, Germs, and Steel: The Fates of Human Societies
The Sex Lives of Cannibals: Adrift in the Equatorial Pacific
The Gift: The Form and Reason for Exchange in Archaic Societies
Tristes Tropiques
The Interpretation of Cultures
Magic, Science and Religion and Other Essays
Patterns of Culture
The Forest People
Varför etnologi?
The Golden Bough
Witchcraft, Oracles, and Magic Among the Azande
Coming of Age in Samoa: A Psychological Study of Primitive Youth for Western Civilisation
Cultural Anthropology: A Toolkit for a Global Age
The Ethnographic Interview
Jungle
In Search of Respect by Philippe BourgoisThe Spirit Catches You and You Fall Down by Anne FadimanLiquidated by Karen HoDeath Without Weeping by Nancy Scheper-HughesArgonauts of the Western Pacific by Bronisław Malinowski
Good Ethnography
141 books — 103 voters
The Ghost-Dance Religion and Wounded Knee by James MooneyGod's Red Son by Louis S. WarrenBury My Heart at Wounded Knee by Dee BrownThe ghost dance by Weston La BarreWovoka and the Ghost Dance by Michael Hittman
The Ghost Dance
9 books — 3 voters

Fully Alive by Tyler GageCall of the Forbidden Way by Robert OwingsShamanism by Manvir   SinghA-Ma Alchemy of Love by Nataša PantovićShamanism by Mircea Eliade
Best Shamanism Books
50 books — 65 voters
Pawi Tron by Waldemar HansenIroszkoci w kulturze średniowiecznej Europy by Jerzy StrzelczykCzłowiek i śmierć by Philippe ArièsHellenika. Wizerunek epoki od Aleksandra do Augusta by Anna ŚwiderkównaCywilizacja wieku Oświecenia by Pierre Chaunu
Rodowody Cywilizacji
40 books — 3 voters

David Graeber
...Slavery finds its origins in war. But everywhere we encounter it slavery is also, at first, a domestic institution. Hierarch and property my derive from notion of the sacred, but the most brutal forms of exploitation have their origins in the intimate of social relations: as perversions of nurture, love and caring. Certainly, those origins are not to be found in government...
David Graeber and David Wengrow

Panos Karnezis
One could not see the Greek, the Celt, the Roman, the man of the Renaissance, not even the Victorian on a white face, for Western civilisation had moved too fast to leave any telltale signs of the past on the European skin. She thought: the white face is without history: too familiar, too unremarkable – always modern. But a look at an Indian face sends the mind travelling back a thousand years. The Olmec, the Maya, the Toltec, the Mexica were still there in the coppery skin, the prominent nose, ...more
Panos Karnezis, The Fugitives

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