55 books
—
39 voters
1954
“
The Maggie [Alexander Mackendrick, 1954] represents Scotland at its most self-lacerative. Precisely at the moment, the early fifties, when the massive penetration of American capital into Scotland was gathering pace, The Maggie actually sets the two halves of the contradiction - american entrepreneur and Scottish workers in opposition to each other, but with almost wilful perversity the film has the Scots win hands down. In true Kailyard style, what is not achievable at the level of political st
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― Scotch Reels: Scotland in Cinema and Television
― Scotch Reels: Scotland in Cinema and Television
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The proof of “sudden” changes (p. 223 to the end) is quite convincing and meritorious. If you had done nothing else but to gather and present in a clear way this mass of evidence, you would have already a considerable merit. Unfortunately, this valuable accomplishment is impaired by the addition of a physical-astronomical theory to which every expert will react with a smile or with anger—according to his temperament; he notices that you know these things only from hearsay—and do not understand t
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― The Pseudoscience Wars: Immanuel Velikovsky and the Birth of the Modern Fringe
― The Pseudoscience Wars: Immanuel Velikovsky and the Birth of the Modern Fringe