In “Triple 9,” Much to Our (Lack of) Surprise, Crime Doesn’t Pay

Triple 9 (John Hillcoat, 2016) “The code on the street is never black and white,” reads the tagline on the poster (above). It would seem that we are in for a psychologically complex thriller, then, where neither good guys nor bad rule the day, and where the very concept of one or the other may, in […]