All audio production & distribution should go 48 kHz. Learn why.

An open letter to the development teams at ACX, Apple, Audible, Bossjock, IK Multimedia, Spreaker and Wooji Juice. by Allan Tépper Hello to our friends at the software development teams at ACX, Apple (GarageBand team), Audible, Bossjock, Spreaker and Wooji Juice/Ferrite. I am about to suggest something quite simple —that you have in your hands to … Continue reading All audio production & distribution should go 48 kHz. Learn why.