Ooh baby, baby it’s a weird world,
I’ll always remember you with tentacles, girl
– not remotely Cat Stevens
So I wanted to talk about the Weirdness Budget, which my friend Sarah Todd introduced me to in about 2002, and which I’ve found to be a useful worldbuilding tool. The more I think about it, though, the more I realize that the Weirdness Budget seems simple at first but quickly becomes complicated as we delve into what weirdness really is and what budgeting (in art) can possibly mean.
It...
Published on February 18, 2016 09:19