The Self-Publishing Debate - guest post from Kacper Nedza
The pros and cons of self-publishing continue to be hotly debated, and I'm pretty sure that debate will continue for some time to come. It's a complex subject, and also a fascinating one. My one and only experience of self-publishing, with The New Mysteries of Sherlock Holmes, has been a positive one, so although I'm keen on continuing to be traditionally published, I'm very well aware of the attractions of the alternative.
I'm also interested in the views and experiences of others. A recent exchange of correspondence with Kacper Nezda, a long-time supporter of this blog, and the person who introduced me to that under-estimated writer Pamela Barrington, prompted me to invite Kacper to outline his own thoughts on this topic. Over to you, Kacper:
"Many thanks to Martin for this opportunity – it’s an honor to be featured here.
I’m not the most patient of people, and I suppose my adventure with self-publishing begins with impatience. In the fall of 2015, I began querying agents with my full-length, 80,000-word crime novel. This was an arduous process, and eventually I got very fed up with waiting to hear back and obsessively checking my email every five minutes for replies from agents. I also knew that even if I did secure an agent, it would likely be years before my novel hit shelves. That didn’t thrill me. I wanted to be doing something tangible with my writing now, hence my decision to write and self-publish a 20,000-word novella.
So I suppose what drew me into self-publishing was the immediacy of it. I uploaded my novella, A Late Verdict, under the name Milo Bell, to Amazon’s Kindle Direct Publishing platform and it hit the Kindle store internationally within hours.
What’s great about self-publishing is the control, control over every aspect of one’s book: the content, the cover art, the marketing and publicity. The book you put out as a self-publisher is entirely your vision, and you have full control over what happens to it after it is published (except, of course, how it sells – which some might say is the most important part!)
The main drawback, of course, is the cost. Everything is pricey: cover artists, editors, publicity campaigns. If you publish traditionally, the publishing house takes care of all that, but if you self-publish, it’s all coming out of your wallet. Hence, I have a theory that all of the most successful self-published authors are those who started out with a considerable budget to invest in the book – which is not great news for those of us who are strapped for cash.
I’m very much in the midst of figuring out whether traditional or self-publishing is the way to go for my work, and I don’t believe there’s a universal answer for everyone. I’m excited, though, to have my novella out in the world, and I have every intention of continuing my adventure with self-publishing."
That point about cost strikes me as especially interesting. Is that a major concern of other self-published authors? I - and I'm sure Kacper - would be glad to know.
I'm also interested in the views and experiences of others. A recent exchange of correspondence with Kacper Nezda, a long-time supporter of this blog, and the person who introduced me to that under-estimated writer Pamela Barrington, prompted me to invite Kacper to outline his own thoughts on this topic. Over to you, Kacper:
"Many thanks to Martin for this opportunity – it’s an honor to be featured here.
I’m not the most patient of people, and I suppose my adventure with self-publishing begins with impatience. In the fall of 2015, I began querying agents with my full-length, 80,000-word crime novel. This was an arduous process, and eventually I got very fed up with waiting to hear back and obsessively checking my email every five minutes for replies from agents. I also knew that even if I did secure an agent, it would likely be years before my novel hit shelves. That didn’t thrill me. I wanted to be doing something tangible with my writing now, hence my decision to write and self-publish a 20,000-word novella.
So I suppose what drew me into self-publishing was the immediacy of it. I uploaded my novella, A Late Verdict, under the name Milo Bell, to Amazon’s Kindle Direct Publishing platform and it hit the Kindle store internationally within hours.
What’s great about self-publishing is the control, control over every aspect of one’s book: the content, the cover art, the marketing and publicity. The book you put out as a self-publisher is entirely your vision, and you have full control over what happens to it after it is published (except, of course, how it sells – which some might say is the most important part!)
The main drawback, of course, is the cost. Everything is pricey: cover artists, editors, publicity campaigns. If you publish traditionally, the publishing house takes care of all that, but if you self-publish, it’s all coming out of your wallet. Hence, I have a theory that all of the most successful self-published authors are those who started out with a considerable budget to invest in the book – which is not great news for those of us who are strapped for cash.
I’m very much in the midst of figuring out whether traditional or self-publishing is the way to go for my work, and I don’t believe there’s a universal answer for everyone. I’m excited, though, to have my novella out in the world, and I have every intention of continuing my adventure with self-publishing."
That point about cost strikes me as especially interesting. Is that a major concern of other self-published authors? I - and I'm sure Kacper - would be glad to know.
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