In today's Wall Street Journal, Terry Teachout writes about George Shearing's popularity. He finds it admirable. A sample observation:
Mr. Shearing's willingness to work both sides of the street vexed jazz critics, who are not an especially tolerant lot, and by the '60s he had been written off as a popularizer. In fact, though, he was something completely different, a dead-serious artist who enjoyed playing well-crafted music that was accessible to a popular audience.
To read the whole thing, go here.
You will find a Rifftides reflection on Shearing two exhibits down.
Published on February 18, 2011 08:07