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Fiction would include William Boyd’s panoramic and enthralling “Sweet Caress: The Many Lives of Amory Clay”, Kunal Basu’s searing “Kalkatta”, Kiran Manral’s frothy but subtly different romance “All Aboard”, Anuja Chandramouli’s refreshingly new take on primordial Hindu goddesses in “Shakti: The Feminine Divine”, Pakistani Omar Shahid Hamid’s jihadi noir “The Spinner’s Tale”, for a chilling portrayal of a terrorist mindset and Bangladeshi Saad Z. Hossein’s inventive black farce “Escape from Baghdad – A Novel”.
Two Indian writers who needed to be singled out were the subversively witty Kiran Manral, whose comedy of manners of globetrotting Indians was followed by an endearing account of motherhood in “Karmic Kids: The Story of Parenting Nobody Told You!”, and the versatile Sharath Komarraju, who produced a sexual abuse whodunnit, a Mughal murder mystery starring Birbal and the second volume of his Mahabharata retelling through the Kuru women’s eyes….”
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Published on December 29, 2015 21:16