The Colt Principle

I am indebted to my writer friend Colt for introducing me to the literary device I have dubbed the Colt Principle. A writer often finds he has written himself into a corner and desperately needs that can of magic paint to draw a door on the wall from which to escape. Simply put, the Colt Principle says that when you have written a non sequitur into a scene, merely address it and move on.
Surely, it couldn’t be that simple, I said. Take my forthcoming novel Fangs & Fur: Flashbacks. I had wr...