Why it’s hard to like literary 007 in 2015
I’ve read a couple Bond continuation novels and found them hard-going mostly. One I abandoned because it was like a movie script, action-action-action with absolutely no break or character development. The other, William Boyd’s SOLO, was better but ultimately I found the inner life of James Bond to be so dry and shallow that he is forgettable. Which is rather sad.
Here is a good review and critique of Bond and his times.
Originally posted on Funk's House of Geekery:
Last year, it was announced that acclaimed writer Anthony Horowitz would be writing the next James Bond continuation novel. Released in September 2015, Trigger Mortis hailed the publicity-grabbing return of Pussy Galore from Goldfinger, as well as throwing 007 head-on into the world of motor racing, where he must protect a British driver from the evil of SMERSH, before uncovering a deeper plot to destabilise the Western world!
For my part, I was excited to read a new Bond novel. The fact that Horowitz, author of one of my childhood favourite series Alex Rider, and creator of the excellent Foyle’s War for TV, was writing it was a sweet, sweet bonus. One of my friends was also super keen, but on the basis that Horowitz was the writer. I was interested to see what she would make of it.
Ultimately, she found it hard to get into. Rather…
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