Why Sophie?

This week I publish the first of my Sophie Rathenau stories, The Prussian Dispatch.

As you can imagine, I very much hope that readers take to the character of Sophie. She’s clearly the driving force of the novels (I can see three novels at the moment, though most readers can only see one). Nonetheless, some readers are bound to ask why she's there in the first place. Don't I find her point of view awkward? Do I really plan to continue with it? Wouldn't I just find things easier from a male perspective?

Well, when I first started writing Sophie, I was ten years older than she was, Now I'm thirty, and most of that time she spent in suspended animation. However, she's been with me for a third of my life in one sense or another, and I'm very used to her. My first thoughts about the series dwelt on period rather than character. As soon as I'd decided that I really wanted to write about the time of Maria Theresia, however, Sophie leapt into my brain, almost fully formed as a personality. Within seconds she had crowded out any male figure who might have been the main character.

Nor was there ever much doubt about the first person perspective. Her voice was recognisable within the first pages, and so much poured out so quickly (most later tossed away) that I swiftly accepted her narration as a sort of free gift.

Only later did I notice that certain advantages came with her all-too-ready storytelling. In her society she's always behind the eight ball, an outsider who has to struggle to make any impact, but at the same time she became the entrée to a much wider range of female characters than I’d used before. Meanwhile the male characters became much more varied than I’d experienced in previous writing.

And it was later still, as the sadness in her past was slowly revealed, that I realised how she’d suckered me into telling a story that’s still spinning, and into suffering something of what she’s suffered. She’s still capable of leaving me hollow and devastated, or of surprising me with some outrageous behaviour. And, as she uncovers her story piece by piece to me, there’s no real resistance in me. Yes, I really plan to continue.
1 like ·   •  2 comments  •  flag
Share on Twitter
Published on November 29, 2015 06:41 Tags: histfic
Comments Showing 1-2 of 2 (2 new)    post a comment »
dateUp arrow    newest »

message 1: by Bill (last edited Dec 03, 2015 01:11PM) (new)

Bill Aitken I loved it, David. You sketched Sophie with a pen that might have been Dashiell Hammett's own but, to see her truly, I think you have to look through and beyond the 18th century setting. I found her to be a feisty character trying to make some sort of a living in a man's world, full of exploitation and self-seeking. She's a private eye in panniers - instead of greenbacks, we have Maria Theresa Thalers, instead of a rara avis, we have a document that must be retrieved at all costs. But there the similarities begin to fade away - this is no re-hashed film noir. Not even homage. Sophie might be as hard up as Philip Marlowe but she lives in a world where there is no DA to slap his desk and give her 48 hours. She faces steely death in an alleyway or simply vanishing into some Viennese Chateau D'If minus the troublesome interlude of a trial. Who should she trust ... who can she trust? The Prussian Dispatch,in my mind, is up there with Dirk Gently's Holistic Detective Agency for adding that twist of literary lemon peel and bringing a new zest to the well beloved detective genre.

Great read and looking forward to your next book.


message 2: by Christa (new)

Christa Bakker Ah, that's what you meant by 'finding your métier'. I do recognise that, it's fun, isn't it?
I'm not stalking... <_<


back to top