{Vignette}
At the Servant Jazz Quarters jazz bar, the bar lady dressed in a dress striped with wide white and black stripes fixes me with eyes not unkind but commanding attention from beneath a lighthouse tower of hair:
‘Do you think,’ she asks me, her eyebrows arching like raven’s wings flying high above the cliffs of her teeth: ‘that people are afraid to love?’
‘Yes,’ I say, without hesitation, for I know I am.
‘Why?’ she shoots at me as if I had made it so.
‘I don’t know.’ And it’s true: I don’t know; but I think that maybe it’s because it makes us feel vulnerable, and I say so: ‘Maybe because it makes them feel vulnerable.’ (I change the pronoun, hoping that she won’t notice.)
‘And is that a bad thing?’ she demands, probably having noticed, and I say it isn’t, but that it’s what makes us afraid.
I feel that I’ve closed the loop and maybe she feels so too and she places a cocktail of her recommendation in front of me; in a gesture of reconciliation, more, I think, with the way that it is than with me, for we have no cavil with one another, and her cliffs give over to a white Dover smile.


EDEN by FREI
This is a live feed of my current writing project, an experiment in publishing in blog format.
EDEN sets out from the sim A concept narrative in the here & now about the where, the wherefore and forever
This is a live feed of my current writing project, an experiment in publishing in blog format.
EDEN sets out from the simple, oft-posed, question: what do you say or do if, halfway through your life, you happen to bump into your younger self? It then goes off on wildly tangential meanders of observation and ponderages on meaning before reaching any sort of conclusion. (Though it does reach some sort of conclusion…)
http://eden.byfrei.net
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