The end of Gotham

Ir's very sad to hear of the sudden demise of Gotham Chamber Opera, which over the past fifteen years has greatly enriched New York opera life with fresh productions of offbeat repertory: Britten's Albert Herring, Haydn's L'isolata disabitata and Il mondo della luna, a Martinů double bill, the Baden-Baden 1927 program, Cavalli's Eliogabalo. The circumstances are somewhat mysterious, and more is sure to be revealed.