That Man From Rio
I was going to see Zazie Dans Le Metro, the fourth film in the Louis Malle collection, but it's quite different from the other films, more experimental with the actors acting in a non-realistic style and some images speeded up a la Benny Hill, and it finally got a bit tiresome, so I gave up after 20 minutes and rather put in L'Homme de Rio or That Man From Rio. In a previous post I mentioned Jean-Paul Belmondo and a barfight and this is the film I had in mind.
Belmondo is a soldier on leave who arrives in Paris just in time to see his girlfriend being kidnapped. He rushes after her and they both end up in Rio de Janeiro, searching for an Inca treasure. The girlfriend is played by Françoise Dorleac, the sister of Catherine Deneuve, who tragically died just a few years after this film. Also starring Jean Servais, directed by Philippe De Broca.
This is one of those films I saw on tv as a kid and still have some nostalgic feelings for. An interesting thing about it is the influence from Tintin. There are several visual cues taken directly from the Hergé albums. Dorleac is very cute and Belmondo creates his screen persona for a lot of his work in the 70s. The direction is not much to brag about. Visually the film actually is a bit ugly, filmed in a let's get it done already-style, never bothering with things like building tension. It's far from the mastery of someone like Hitchcock. Of course, when you're twelve you don't notice any of that, you just see the story. It's still a fun film, but it's possible that it's better to see it at that age than as an adult.
Belmondo is a soldier on leave who arrives in Paris just in time to see his girlfriend being kidnapped. He rushes after her and they both end up in Rio de Janeiro, searching for an Inca treasure. The girlfriend is played by Françoise Dorleac, the sister of Catherine Deneuve, who tragically died just a few years after this film. Also starring Jean Servais, directed by Philippe De Broca.
This is one of those films I saw on tv as a kid and still have some nostalgic feelings for. An interesting thing about it is the influence from Tintin. There are several visual cues taken directly from the Hergé albums. Dorleac is very cute and Belmondo creates his screen persona for a lot of his work in the 70s. The direction is not much to brag about. Visually the film actually is a bit ugly, filmed in a let's get it done already-style, never bothering with things like building tension. It's far from the mastery of someone like Hitchcock. Of course, when you're twelve you don't notice any of that, you just see the story. It's still a fun film, but it's possible that it's better to see it at that age than as an adult.
Published on January 22, 2011 01:25
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