The Fighter: Plot/Subplot
We saw The Fighter this weekend and it's strange that I love boxing movies so much, but I do. The underdog thing...the stakes...the bare chests, I don't know, but boxing movies work. And The Fighter was amazing. Really and truly amazing. And the negative feedback I've heard is largely that the movie seems unfocused, torn between the main plot of Micky (Whalberg) getting back in the ring and away from his controlling family, and his brother Dickie (Bale) and his crack habit and self-destructive life.
In Bale's Golden Globe acceptance speech, he thanked Whalberg for the strength of his quiet performance, because without the anchor, the loud performances don't work. And this was the movie in a nutshell for me.
I love plot/subplot conversations. I think for a subplot to really influence and add to the plot it has to carry a whole lot of importance - we have to care. And it's a two edged sword, make us care too much and the throughline gets taken over. For me The Fighter was balanced. Writing wise it was perfection:
Dickie has to go to jail so Micky has a chance to get free of him.
Both of them have to watch the documentary so Dickie is inspired to stay clean. Micky has to be inspired to wipe his brother's embarrassment off the town he loves.
Dickie has to come home, desperate to do right by his brother so much so that he apologizes to the people Micky loves - he tries very hard to make things right.
Micky sees this, brings his brother back on his team.
Without the focus on all of those moments, the scene of them walking out into the arena for the title fight amongst the boos with Dickie's hand on his brother's head both of them mumbling his anthem the White Snake song "Here I Go Again" would not have made me feel like leaping to my feet, fists in the air, tears in my eyes.
The movie took it's time to tell all the stories and it worked. All the performances were spectacular. Nuanced and sad and funny. Social Network was good in a cerebral way. This movie was great in an all heart way. Go see it.
In Bale's Golden Globe acceptance speech, he thanked Whalberg for the strength of his quiet performance, because without the anchor, the loud performances don't work. And this was the movie in a nutshell for me.
I love plot/subplot conversations. I think for a subplot to really influence and add to the plot it has to carry a whole lot of importance - we have to care. And it's a two edged sword, make us care too much and the throughline gets taken over. For me The Fighter was balanced. Writing wise it was perfection:
Dickie has to go to jail so Micky has a chance to get free of him.
Both of them have to watch the documentary so Dickie is inspired to stay clean. Micky has to be inspired to wipe his brother's embarrassment off the town he loves.
Dickie has to come home, desperate to do right by his brother so much so that he apologizes to the people Micky loves - he tries very hard to make things right.
Micky sees this, brings his brother back on his team.
Without the focus on all of those moments, the scene of them walking out into the arena for the title fight amongst the boos with Dickie's hand on his brother's head both of them mumbling his anthem the White Snake song "Here I Go Again" would not have made me feel like leaping to my feet, fists in the air, tears in my eyes.
The movie took it's time to tell all the stories and it worked. All the performances were spectacular. Nuanced and sad and funny. Social Network was good in a cerebral way. This movie was great in an all heart way. Go see it.
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