WRITING IS HARD AND YOU ARE NOT A GENIUS by Tracy Holczer
I feel some capital letters coming on, so bear with me.
I used to be a process junkie. Every conference I attended, every workshop or class, I wanted to know, "What is your process?"
Because mine may as well have looked like this:
Of course, what I really wanted to know was, "How do you write a book?" Because who wants to try and fail and try and fail and try and fail if you can just ask someone else, some other successful person, how they did it and then copy the crap out of them?
"Write an outline," they said.
"Find out what is in your character's pocket," they said. "Nothing," I said. "But if they did have something, what would it be?" they said.
O.O
"Try this sixty-seven point, fold-a-paper, pretend you're a snowflake method. Works for me every time," they said.
So I tried (and still try) all of those things. And failed (and still fail).
BUT I have figured out that I can't work with an outline. And that even if my characters had something in their pockets, I wouldn't care, and that I am wonderfully horrible at anything with more than three steps. I also figured out we all have some process related things in common and that pop up with every book:
YOU HAVE TO DO ALL THE THINGS. There aren't any magic beans and for every fifty-seven things you try, you may end up with one or two that stick and become your process.
WRITING IS HARD AND YOU ARE NOT A GENIUS. Beethoven and Hawking are geniuses. Just know that if the sneaky part of your mind is telling you, "you don't have to listen to that critique/change that plotline/kill off that character," then you probably do.
DON'T WAIT UNTIL YOU ARE "FEELING IT." I would literally never get out of bed if I waited for my feelings to show up.
TAKE BREAKS. Just because you decided to be a writer does not mean your children should have to eat peanut butter and jelly sandwiches for the rest of their lives.
YOU MUST BE COMFORTABLE WITH YOUR FLAWS. Or, at least, know what they are. Or at the very least, know that you have them. Writing a book has this amazing ability to call forth every one of your flaws in bright screaming Technicolor and possibly stereo and then challenge them to a duel.
Please know that my capital letters are for the stubborn, know-it-all, perfectionist crazy-head that is writing this post. If you know a stubborn, know-it-all, perfectionist crazy-head writer/human, feel free to share.
I used to be a process junkie. Every conference I attended, every workshop or class, I wanted to know, "What is your process?"
Because mine may as well have looked like this:
Of course, what I really wanted to know was, "How do you write a book?" Because who wants to try and fail and try and fail and try and fail if you can just ask someone else, some other successful person, how they did it and then copy the crap out of them?
"Write an outline," they said.
"Find out what is in your character's pocket," they said. "Nothing," I said. "But if they did have something, what would it be?" they said.
O.O
"Try this sixty-seven point, fold-a-paper, pretend you're a snowflake method. Works for me every time," they said.
So I tried (and still try) all of those things. And failed (and still fail).
BUT I have figured out that I can't work with an outline. And that even if my characters had something in their pockets, I wouldn't care, and that I am wonderfully horrible at anything with more than three steps. I also figured out we all have some process related things in common and that pop up with every book:
YOU HAVE TO DO ALL THE THINGS. There aren't any magic beans and for every fifty-seven things you try, you may end up with one or two that stick and become your process.
WRITING IS HARD AND YOU ARE NOT A GENIUS. Beethoven and Hawking are geniuses. Just know that if the sneaky part of your mind is telling you, "you don't have to listen to that critique/change that plotline/kill off that character," then you probably do.
DON'T WAIT UNTIL YOU ARE "FEELING IT." I would literally never get out of bed if I waited for my feelings to show up.
TAKE BREAKS. Just because you decided to be a writer does not mean your children should have to eat peanut butter and jelly sandwiches for the rest of their lives.
YOU MUST BE COMFORTABLE WITH YOUR FLAWS. Or, at least, know what they are. Or at the very least, know that you have them. Writing a book has this amazing ability to call forth every one of your flaws in bright screaming Technicolor and possibly stereo and then challenge them to a duel.
Please know that my capital letters are for the stubborn, know-it-all, perfectionist crazy-head that is writing this post. If you know a stubborn, know-it-all, perfectionist crazy-head writer/human, feel free to share.
Published on August 30, 2015 01:00
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