Heading Into Antelope Canyon
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Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/2.8, ISO 2200 —
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Moody
at Antelope Canyon, on Navajo land near Page, Arizona
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My three weeks in The States visiting my folks is about to end, so I
thought I'd post some photos from the previous trip in
March, where we drove around the American southwest in a camper. It was a bit overwhelming, and I've barely looked at the photos yet.
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One of the most photogenic places on earth is
Antelope Canyon, near Page Arizona. I posted one photo from it at the time, here.
At first it doesn't seem promising, as the whole area is bleak and desolate...
Nikon D4 + Nikkor 70-200mm f/2.8 @ 78mm — 1/2000 sec, f/2.8, ISO 100 —
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Bleak Surroundings
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Visits to the canyon are via tour only. We went with
this tour operator and were pleased with it. You meet at their office in downtown Page, Arizona, and before leaving to the canyon one of the guides performs
a hoop dance that was surprisingly interesting
and skillful. YouTube has a bunch of videos, such as this one,
showing the idea.
Then you get into the back of pickup trucks and they drive to the canyon, about ~10 minutes by road followed
by about five minutes at bumpy breakneck speed over the desert of fine dustlike sand...
Nikon D4 + Nikkor 24-70mm f/2.8 @ 70mm — 1/2000 sec, f/2.8, ISO 100 —
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Caravan Over the Desert
almost no bump was left untested
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Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/320 sec, f/5.6, ISO 100 —
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Outside the Entrance
doesn't really look promising
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It's an amazing transformation to step into the shadow from the bright
light, and in the moments that your eye adjusts, the magical views of the
smoothly curving walls envelops you.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/2.8, ISO 160 —
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Looking Straight Up
boring photo just inside the entrance
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You've probably seen a bazillion photos from this place, all sort of the
same, all sort of different. It's a really really really photogenic place,
and even those haphazardly snapping with their cellphone will likely get
great photos to remember the place by.
But to a photographer it's utterly overwhelming because especially in a
target-rich place like this a photographer does not passively “take” a
photo, a photographer sees a never-ending continuum of results — some
better, some worse — and tries to engineer via position and exposure and timing
just the result they want. Probably I'm getting a bit melodramatic, but it's
a bit like Neo at the end of The Matrix, except that in this place
the sensory overload is more overwhelming.
The photo just above of the entrance documents what it looks like.
Here's another photo from almost the same location, looking at the same
scene from a slightly different angle....
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/40 sec, f/9, ISO 6400 —
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Just Inside the Entrance
less-boring view
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An added challenge is to do all this within the constraints of the tour,
which means 1) there are people everywhere, and 2) the tour
must complete by a specific time and so moves along at a well-planned brisk
pace. Considerate photographers have the third constraint of realizing that
they are themselves the “people everywhere” for everyone else, and trying to
sense (and avert) when they are the only thing destroying someone else's shot.
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/30 sec, f/2.8, ISO 6400 —
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The Reality
Multiple tours are coming and going at the same time, creating and ebb and flow of people.
“Patience” is perhaps not the right word considering the limited time one has, but some forethought,
some lingering, and a lot of luck can help...
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/2.8, ISO 6400 —
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So Close
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So the low-hanging fruit of a clean shot is to aim up...
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/100 sec, f/2.8, ISO 6400 —
map & image data — nearby photos
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... or zoom in...
Nikon D4 + Nikkor 24-70mm f/2.8 @ 24mm — 1/10 sec, f/2.8, ISO 6400 —
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Wall Detail
but I really wish I had my Voigtländer 125mm f/2.5
for its close-up sharpness
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Sometimes our tour guide would clear a small area and take a portrait for someone. She was really
skilled at people handling, and could do this quickly and without making folks feel bossed around. I suspect not all guides were as skillful at it.
Here's a wigglegram I took while someone
was having their portrait taken:
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Animatable Wigglegram (15 frames) — slowly sweep mouse from side to side to view 3D effect
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To be continued...
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