Worldbuilding In “The Wall Of Night” Series: The Medieval European Setting (3)

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On Friday, I looked at my deliberate decision to give The Wall Of Night series a “classic epic framework”, which in turn drove the quasi-medieval European milieu.

I also said that in taking something that on the surface looked familiar, I hope to then emulate Emily Dickinson in approaching that familiar terrain at least somewhat “slant.”

In addition to aspects of culture and locale referenced yesterday, many readers and reviewers have also noted that not only is the lead character in T...