What’s different in Hillary DePiano’s adaptation of The Green Bird vs Carlo Gozzi’s commedia dell’arte original

While my adaptation of The Love of Three Oranges stayed fairly close to the original (outside of everything related to the whole Narrator/Celio thing which was all me, baby), my adaptation of The Green Bird is fairly different from Carlo Gozzi’s original. While obviously every line of dialog was rewritten from scratch, I worked hard to make sure just about every plot elementfrom the originalwas still there in some form so that the play was still recognizably itself but I changed the sequence...