Stacy Szymaszek, JOURNAL STARTED IN AUGUST




back to the Projectmis problemas son sus problemas
my love of the word“project” echoes Sontag’s
as do initials
other SS attributesdark circlesgrey streak
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my new answer tohow long“forever”
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another argument with Kabout my tone
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how can it flyso full ofmy blood?
There is very much a quality I can see in New York City poet Stacy Szymaszek’s JOURNAL STARTED IN AUGUST (Projective Industries, 2015) reminiscent of work done by a variety of writers, from the late Vancouver poet Gerry Gilbert, to various “day book” works produced by Robert Creeley, Gil McElroy and many others. JOURNAL STARTED IN AUGUST is a long sequence of short lyrics composed as stand-alone notes, suggesting the journal or notebook, including quick thoughts, overheard conversation, observations and complaints, and the occasional list, all set up as an accumulation of collage-pieces. The author of some half dozen or more books and chapbooks, her at the back of the collection mentions a title, Journal of Ugly Sites and Other Journals, forthcoming this fall with Fence Books. I’m curious to see if this title includes the poems here, or if the book extends and furthers some of which she’s played with in this short collection. The title suggests the possibility of a separate project utilizing some similar approaches to the poetic journal, and then one catches this on the second page, suggesting that this is, in fact, the continuation:
memorial portraitof Cass as transitionobject grief reemergesupon finishing “Journalof Ugly Sites” howwill I feel whenI pay off her bills?
This is also something she discussed in her “12 or 20 questions” interview, twoyears ago:
My recent work has dispensed with persona. The longer I live in NYC, the more autobiographical it gets. One idea I have about this is that I had always wanted to live here but I was convinced that I didn’t have what it took, so in my mind this was a city of especially savvy people, a city of heroes—so being here I’ve become heroic, or the persona is now the hero named Stacy. The book I just completed is called Journal of Ugly Sites & Other Journalsand takes up the idea of poetic journalism in different forms. The centerpiece is “Journal of Ugly Sites” which is a year-long journal I kept which documents, among other things, the life, illness and death of a Beagle that my partner and I rescued.
Szymaszek’ssmall text plays off the mundane and even arbitrariness of its own format. Does the suggestion of a daily journal make much of a difference if begun in August or any other month? Gil McElroy’s ongoing lyric sequence “Julian Days” manages to bury specific dates by utilizing an unfamiliar calendar, the Julian Day Calendar, as poem-titles; he presents the dates, but they are unknown to the general poetry reader, and therefore, read as arbitrary numbers (one could look them up if one wishes, but I suspect only a rare few might). The temporal aspect of Szymaszek’s JOURNAL STARTED IN AUGUST is a curious one, with very little in the text to offer any kind of specific placement: if the journal really was begun in August, how long did it last—weeks or months or years—and does that even matter?
hoping the highpotassium is anothermystery my bodyhas authoredwhere no-body dies
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I guess she thoughtthe alternative
was to bombmy inbox
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it’s trueno oneshould readafter AnneBoyer
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grassrootsautocracy
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Final balance pd.euthanasia bill
and I think it’s going torain today
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Published on July 21, 2015 05:31
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