My First Ascent of The Most-Heinous Momoi Pass East

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 —
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Shooting the Breeze

prior to the ride

I had quite the ride yesterday, finally tackling one of the last big mountain passes in Kyoto, Momoi Pass (百井峠) from the east. It was gruesomely long and steep.

The plan was to start with some relatively-relaxing climbs, but Mone somewhow got a
flat as she arrived, so Andy, the gentleman that he is, stepped in to change it...

Panasonic LX100 at an effective 24mm — 1/125 sec, f/5.6, ISO 200 —
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Tube Change #1

it turns out not to be the last of the day

Wheel on to wheel off was 5½ minutes, which seems pretty fast to
me. It's apparently possible to change a tube in less
than a minute, but in the real world you have to spend the time to
investigate why the tube went flat in the first place, to make sure that
whatever did it won't just do it again the moment you ride on the new
tube.

Once on our way, we headed up to Kyomi Pass (京見
峠), a rise of 220m over about 3km (720'
over 1.9m) for an average slope of about 7.3%. Knowing that I had the imposing Momoi Pass looming later in the day,
I didn't want to push too hard before that, so
for this initial climb I just settled into a pace that felt natural, and somehow ended up making
a personal best time of 13:59, breaking the
PR that I made last week by 42 seconds.
Woohoo!

Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.2, ISO 200 —
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Water Spring

Little natural springs like this are sprinkled throughout the mountains.
(We saw a
different one here the other day.) It's common to see folks stopping by
to fill up big jugs to bring home, as the water is apparently very good,
and there's also some kind of religious aspect to it (“sacred water” or the
like). Personally, I'm a bit squeamish about drinking water from a tube
stuck into the mountain, a tube indistinguishable from the many
gutter-runoff drain tubes I see.

The next little climb was the much milder Mochikoshi Pass (持越峠).
Overall it's a rise of 151m over 3.8km (500' over 2.4mi) for an average
slope of 4%, but the last third or so is much steeper. The others were
chatting and taking it more leisurely, so I had a few minutes at the top to
prepare for their arrival...

Panasonic LX100 at an effective 75mm — 1/320 sec, f/5.6, ISO 200 —
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Michael and Andy

approach the pass








Panasonic LX100 at an effective 75mm — 1/160 sec, f/5.6, ISO 200 —
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Laughing Finish

Michael is likely smiling at Andy's grimacing, which is likely
class-clown antics. Everyone likes to put on a show when they crest a
pass.

Okay, not everyone... Sakura-san is like the Energizer Bunny...
expressionless, but untiring and never stops...

Panasonic LX100 at an effective 75mm — 1/250 sec, f/5.6, ISO 200 —
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Manseki rode one of the most famously-tough rides in Japan, Mt. Norikura, a few
days ago, so today he was taking it easy. He's a former professional skier
and ski instructor, so he's used to performing for a camera; his look is very
consistent...

Panasonic LX100 at an effective 75mm — 1/320 sec, f/5.6, ISO 200 —
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This calls to mind “Manseki on the Attack” from last month.

Next we had a long enjoyable downhill, and somewhere along the line Manseki decided that he was going to hit it hard, so he took off like a rocket.

Andy seemed to have taken it as a challenge, so planted himself on Manseki's rear wheel...

Panasonic LX100 at an effective 38mm — 1/400 sec, f/5.6, ISO 200 —
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Drafting

taken while cycling at 31 kph (19 mph)

Manseki couldn't shake him, but a rock or something took care of slowing Andy down...

Panasonic LX100 at an effective 38mm — 1/125 sec, f/2.4, ISO 800 —
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Andy's New Tire

with a special camio by his pet insect Clarance








Panasonic LX100 at an effective 24mm — 1/125 sec, f/3.2, ISO 200 —
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Tube Change #2

Andy had only one spare tube, so thought it prudent to patch the old tube so that it'd be available should he need it later...

Panasonic LX100 at an effective 27mm — 1/125 sec, f/2.2, ISO 200 —
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Patchwork








iPhone 6 + iPhone 6 back camera 4.15mm f/2.2 at an effective 29mm — 1/60 sec, f/2.2, ISO 32 —
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photo by Michale Edwards

While Andy was changing his tire, some folks we'd passed as they rode up came back down and flew by us. I didn't notice at the time,
but check out this guy's bike:

Panasonic LX100 at an effective 27mm — 1/200 sec, f/5.6, ISO 200 —
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Judging from the look on Andy and Michael's faces, they did notice the cute bicycle.

Panasonic LX100 at an effective 27mm — 1/250 sec, f/5.6, ISO 200 —
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This member of the group has a bicycle computer mounted on his bike, so I'm guessing that
it's this guy.

After another 150m of vertical climb over Ebumi Pass (江文峠), we made our way farther north,
heading toward the start of the day's big climb, Momoi Pass.

But not before Andy took a short siesta...

Panasonic LX100 at an effective 24mm — 1/200 sec, f/1.7, ISO 200 —
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Disoriented After a Short Nap

( either that, or making minor adjustments to Sakura-san's derailleur )

Then it was time to reckon with Momoi Pass. The full route is broken into two sections,
the first being to an intermediate pass, Maegahata Pass (前ヶ畑峠). That section has 350m of rise over 4.8km
(1,150' over 3mi) for an average of 7.3%, but those relatively-mild number belie the true horror of this section.
The final mile (1.7km) has an average slope of 12%. This was tough.

The road has a bunch of switchbacks snaking up the mountain, and at one
particularly sharp curve the road was very wide, so I took the opportunity
to try to ride sideways across the road to give me a moment when I wasn't
pitched up at a precarious angle, so that I could safely let go of the
handlebars with one hand and grab my water bottle.

I could grab the bottle, but what I couldn't do was drink; my lungs just
couldn't spare the two seconds of oxygen deprivation that a swig of water
would entail.

I'm not sure what to make of this. Generally, my heart and my legs are
not taxed at all when I ride; it's my lungs that are my limiting factor. I have absolutely huge lung capacity (more than 5L), and I've never run into
another cyclist whose lungs are their limiting factor, so I wonder whether
my iron might be low. I'll have to have it checked out.

Anyway, I made the worst part of the climb in 14:20, which I'm happy to
see is not more than double the best time logged on Strava (8:31). But I must admit defeat because my goal in doing it this first time was not to do
it quickly, but to do it without stopping, and without using my easiest
front gear (a gear that I would not have if I had a real road bike). But I couldn't do it, so gave up and used the easiest gear, and even then only barely
made it without stopping.

It was really tough.

It didn't help that it was 34℃ (93℉). I'd brought plenty of water (actually “Aquarius” sports drink), but couldn't
drink it without stopping and catching my breath, so I did without.

Panasonic LX100 at an effective 75mm — 1/500 sec, f/2.8, ISO 200 —
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Andy Crests the Pass

Next was Sakura-san, but she looked identical to the shot above (and indeed identical to every shot of her cresting a pass; she's a mountain-killing robot),
so no need to repeat the photo here.

Then came Michael, who had been kind enough to stop at one of the aforementioned mountain springs to wait for Andy and Mone, and douse them with cool water as they rode by.

Panasonic LX100 at an effective 75mm — 1/800 sec, f/2.8, ISO 200 —
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Focused

I feel a little ego boost to be the first to arrive at a pass (okay, a
big ego boost), but the reality is that both these guys are far stronger
and faster than me, and are merely choosing an easier pace today. For
example, last year Andy did the same climb more than two minutes faster
than my 47:37 of today. Yet despite both being far faster than me, they're
not considered “fast” among the local Cycling Kyoto group, because there
are folks who can do this climb in the 28-minute range. That kind of power
boggles my mind, yet a pro cyclist could probably do it in 15 minutes.
Wow.

Panasonic LX100 at an effective 35mm — 1/80 sec, f/2.3, ISO 1000 —
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Why I Love Cycling Here

Easy Laughter

I don't recall what Andy was laughing at, but Michael had just poured a
bottle of water over his own head to cool down, so it was probably related
to that. But who knows, Andy had such a fun personality that he doesn't
really need a reason to laugh.

After this the route took us up another 150m (500') to Momoi Pass, but
first it descended a bit to a small village, one I recognize every time I
pass through as being that of the “Purple Irises in the
Mountains” from eight years ago. When I wrote that post I never in a
million years would have believed that I'd ride a bicycle out that far. How things have changed.

Then on to the real Momoi Pass, which Andy had told me was “just a
little push” past the climb we had just done, but it was another mile of
10% grade. I found it easier to do if I tried to pretend that I didn't exist.

Panasonic LX100 at an effective 24mm — 1/125 sec, f/1.8, ISO 200 —
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Taste of the Descent

that's the road at left, down after a hairpin turn just out of frame

As noted before, it was hot, but on the plus side, it was again proven
how good the Under Armour “Heat Gear” compression shirt is (seen and talked
about here). It makes your sweat evaporate quickly, which keeps you cool. Though it was really
hot, I felt uncomfortable in only two situations over the course of the
whole day: The first was when descending from a pass, where the abundance
of built-up sweat from the climb combined with an abundance of speed on the
downhill, and I got genuinely chilly, especially going down from Momoi
Pass.

Let that sink in a bit. It was 34℃ (93℉), and this shirt made me feel chilly. This is why I own stock in the company.

The second time was back in Kyoto just before the end of the ride, after
having stopped for coffee with Michael. Returning to the bike in the heat
of the day, my shirt had dried and so couldn't do its sweat-evaporating
cooling magic, and I was immediately hot and miserable for a few minutes
until I moved enough to work up a sweat again.

I've extolled the virtues of these garments to folks I ride with, but it's clear no one believes me. Their loss.

Anyway, back to today's ride, after Momoi we lost track of Sakura-san. It turns out that instead of returning to Kyoto
she'd gone back up the mountain to Hanase Pass, but since there was no phone connectivity, she couldn't message us. But we weren't
worried because we know she knows these roads well, having done them with her multiple times in the past.

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 —
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Andy Acting Silly?

2:26pm - taken while cycling at 25 kph (15 mph)

At one point during the long descent from Momoi Pass (which merges into
the descent from Hanase Pass), I turned around to take a photo of Andy
behind me, and he got into this ridiculously exaggerated “aerodynamic” tuck
for the camera.

Panasonic LX100 at an effective 24mm — 1/400 sec, f/5.6, ISO 200 —
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I though it was just Andy being silly, until later that evening watching
the Tour de France I saw the pro riders doing exactly the same thing on a
long downhill. They were going up to 4× faster than Andy, but of
course that's only because Andy had to artificially limit his speed because
we were on public roads and not a closed course.