The good, the bad, and the ugly of being a Tour Managing FOH Engineer

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In this episode of Sound Design Live I talk with Brian Adler about good and bad of being a tour managing FOH engineer and how he lost his passion for audio in the recording studio and rediscovered it in concert sound. We discuss:

Why getting fired was the best thing that ever happened to his career
The benefits of working at smaller concert venues
How to control your relationship with an artist (even if you work at a shitty club)
One important demand you should make when taking tour managing gigs
Staying healthy on tour
Brian’s industry secret for optimizing a sound system on tour