If we can creditMiles Davisfor the birth of the cool, maybe we can credit Klaus Schulze for the birth of the drone. Strictly speaking, I know others got there first — La Monte Young, for instance, was producing "musical environments" a good decade before Irrlicht was waxed. ButIrrlichtserves the dual function of being Schulze's first album proper — the start of one of the longest and most durable careers in electronic music — and one of the first works to point people at when they ask, in all...
Published on June 10, 2015 07:00