The Return of Edmund Crispin and Alexander Wilson
The republication of classic crime novels continues apace with two rather different, attractively produced new series. The first comes from Harper Collins, who are starting to reissue the books of Edmund Crispin in paperback. Three titles have recently appeared: Love Lies Bleeding, The Moving Toyshop, and Holy Disorders. Each book features Crispin's amateur sleuth Gervase Fen, and my understanding is that the rest of Crispin's books are likely to appear in similar editions in due course.
Crispin was a lively and intelligent writer who enjoyed the game-playing aspect of detective fiction, even though he came along at the end of the Golden Age (which is why he is mentioned only in passing in The Golden Age of Murder; alas, had I tried to cover writers like Crispin, Christianna Brand and Dorothy Bowers in detail, the book would have been even weightier.)
Crispin was influenced by the likes of fellow Oxford man, Michael Innes, and John Dickson Carr. His work has always retained an appeal to readers; I recall listening to a very enthusiastic discussion of his work by Susan Moody a while back, which revived my interest in his work. So his books have never been too hard to find; all the same, it's good to see these new editions. Here's my take on
Alexander Wilson, in contrast, really is a forgotten writer. But perhaps not for much longer. Allison & Busby have set about reprinting his thrillers, with cover artwork in a style eerily reminiscent of the British Library Crime Classics series (though where are the wonderful introductions? Only joking!) Wilson was a spy as well as a writer, and there's a very interesting Wikipedia page about him. The first three titles to appear are: Mystery of Tunnel 51, The Devil's Cocktail, and Wallace of the Secret Service.
Crispin was a lively and intelligent writer who enjoyed the game-playing aspect of detective fiction, even though he came along at the end of the Golden Age (which is why he is mentioned only in passing in The Golden Age of Murder; alas, had I tried to cover writers like Crispin, Christianna Brand and Dorothy Bowers in detail, the book would have been even weightier.)
Crispin was influenced by the likes of fellow Oxford man, Michael Innes, and John Dickson Carr. His work has always retained an appeal to readers; I recall listening to a very enthusiastic discussion of his work by Susan Moody a while back, which revived my interest in his work. So his books have never been too hard to find; all the same, it's good to see these new editions. Here's my take on
Alexander Wilson, in contrast, really is a forgotten writer. But perhaps not for much longer. Allison & Busby have set about reprinting his thrillers, with cover artwork in a style eerily reminiscent of the British Library Crime Classics series (though where are the wonderful introductions? Only joking!) Wilson was a spy as well as a writer, and there's a very interesting Wikipedia page about him. The first three titles to appear are: Mystery of Tunnel 51, The Devil's Cocktail, and Wallace of the Secret Service.
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