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May 28, 2015 02:25PM
First, of course, friend recommendations will pique my interest in a book, but it's not enough to make me buy, just seek it out. But aside from that it has to fit my very particular interests (mostly historical stuff, biography, drama, etc. I won't go into the whole list) But when I'm out just scanning shelves, I'm first attracted to the cover, if I can see it. There will be something in the art that compels me: a famous historical figure on the front, a historical painting, somber/rich colors. The cover is like the piece of cheese in the trap. Once I get closer to see the picture, I have to see there's a catchy title, though that's not quite as important but the title and the image combined make me say: "What's this about?" Then, of course, the snare: the blurb. If I can't see the cover then I rely on titles, but sometimes the spine of a book offers a hint at the cover image and I've become quite adept at spotting those history/biography based books! So if all I can see is the title on the spine, then I pull the book to see the cover art. Then read the blurb. If it seems interesting to me based on my tastes for fiction then I will buy it--IF it fits my budget. The blurb really does sell it to me. But I wish I could pinpoint WHAT about a story is compelling enough to make me want to read it (outside of what I've already stated). I guess that's another post :)
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Yes, I think the loss of so many real bookstores, where we can scan the shovels looking for a book, is a big part of what has publishers scrambling to find some other way to interest readers in a relatively unknown author.

This spring Naomi Novak's Uprooted seemed to be everywhere months before it came out. It seemed every author I read and love had gotten an advanced copy of it and was buzzed about it and they wrote and posted reviews on goodreads, on twitter, etc. I hadn't read her books before or even heard of her but that constant buzz from other authors got me to buy the book.
Otherwise I look to reviews from some book blogs I follow or posts from people on some message boards I participate in. So book blog tours can work I think.

Thanks, Indiana. Do you mind if I ask what blogs do you follow?

There are two main reasons for me to try a new book/series - price of the (first) book and recommendations from my friends (ie Goodreads friends or Facebook reading groups). If I'm scanning Book Bub or Goodreads and the synopsis sounds interesting, the cover catches my eye and the price is right (say 1.99 or less) then I will make a purchase. Even if I gush to my friends that a book is "the best thing ever" they are not going to take a chance unless the ebook is priced 3.99 or less. There are very few ebook above 3.99 that I purchase (like the St Cyr series...because I am so invested in it already). I think it's a REALLY good idea to offer the first book for 1.99 or less when the next book in the series comes out!!!! I also like seeing advanced reviews posted on Goodreads from ARC's...get's the buzz going for the book. Goodreads, Facebook, Twitter and Blogs - I use them all to find new books. Good Luck!!

Thanks for this, Jo Ann. It's very helpful.

Other thoughts, I know you were at the RT Booklovers Convention last year...getting your publisher to give away copies of the first book in the St. Cyr series at next years convention might be something for them to consider. I've gone to it for the past few years and I've found a lot of new to me authors through those give aways. I like that convention because it has such a variety of authors and genres and I think its a good fit for you as the readers there read romance, historical fiction, mysteries, etc.
Also, I saw a comment of yours about how you have been neglecting your blog for facebook...unite your social media so you capture your readers no matter where they are. I don't have a facebook account, I had no idea you were active there and was missing posts of yours. Most YA authors I follow have it so when they post on tumblr or facebook, it links on twitter and goodreads as well. So unite your social media so that if you post on facebook, it automatically posts a link on your blog (or vice versa) and your twitter, etc. That way you increase your presence online without having to spend more time online.

There's data out there suggesting that exposure to books through libraries helps drive books sales, so using a site like NetGalley to get librarians engaged with your book is a good marketing tool.

It's noteworthy that Baen books often prices the first book in the series free for just this reason - apparently Jim Baen was mocked when he started doing it, and other people in the publishing industry predicted he would go bankrupt. He didn't. It worked.
This should not have come as a huge surprise, as drug dealers have been operating this business model for years: offer them the first hit for free, to get them hooked.
Book Bub is a pretty good idea. Admittedly, I rarely buy anything via there, but that's only because a lot of what it sends me appears to be stuff I wouldn't waste precious minutes of my life on. But I do read the emails, just in case there's something I'm interested in - so if something similar to Sebastian came up, I'd probably strongly consider it.
Covers are important - but yours are always good (Baen's are almost always awful - very garish and cheap looking, as if the writing is also going to be garish and cheap).
Blurb is also important. Other than the cover (which we all know is something we shouldn't judge a book by), it's pretty much the only way if finding out what's inside other than reading the thing. A blurb needs to give me a good idea of what genre of book it is, what the basics of the plot are, and what the style of writing is. A Cadfael historical mystery is a different animal to a Sebastian one, and both are different from Falco - and not just because of the setting. Different authors, different feel.
Words cannot begin to express how much I do not care about what various newspapers said about the book or, worse, about other books. Do not fill up the cover with other people's opinions at the expense of telling me what the d*mn book is about. This is one of my pet hates. So I'm expected to buy a book I don't know anything about just because some journalist thinks it's good? Forget it.
I don't really regret the demise of the physical bookshop, at least partly because I rarely had time to visit one. The internet, on the other hand, I can visit whenever I like - and it gives me recommendations based on what I've already bought, or rated. So make sure, as far as you can, that your book is linked to other books of the same kind, so it comes up on people's lists of recommendations. I've come across several authors that way that I might not have found otherwise.I will join on the bandwagon with the "mark down Book 1 in the series". Like previous responders, I am far more likely to take a chance on a new author if I'm not paying out a large amount of money to do it.
Consider, if you haven't already, making the first chapter or so free to read. Personally, I generally know whether I'm going to like an author or not within the first few pages.
Gee your UK publisher up, if you can. Many of your books are not available on kindle - not everyone wants to buy a 10-book bundle up front. Speaking for myself, if an author is not providing books in the format I want, I will not read that author. There are plenty more fish in the sea, and authors in the bookshop. Plus, I resent being dictated to. My free time: my choice of reading format. Also, not having ebook editions is a flat-out invitation to piracy. If you don't give people a way to get what they want legally, they are more likely to decide to take it illegally.
Plus, something weird is going on with your Amazon indexing: Amazon seems to think you are twins.
Spending time online is good. People are people, and fundamentally illogical. If they like a person, they are more likely to buy a book written by that person, regardless of actual content - or, conversely, if they dislike someone they wouldn't throw a rope if they were drowning, let alone buy a book. Plus, interacting with an author (or watching an author interact with others) gives a good idea of what their writing style might be like. I theorise that it may help also cut down ebook piracy: if you're a real person, not just a name on a cover, it may increase the guilt factor.
I suppose marketing falls into two distinct camps:
1: Persuading people who have already seen your book that they want to buy it (cover, blurb, reviews).
2: Bringing your book to people's attention (links, recommendations, blogs).
You need both: people can't buy it if they don't know about it, and they won't buy it if they don't like the look of it.

The St Cyr series has come up again and again by readers on Smart Bitches/Trashy Books - I'm sure they'd be happy to do a review of the new book and promote a sale of the first book.

Sherry, I know they did Netgallery once, but I'm not sure they kept it up. I will ask.
Theophania, thanks for all this; you make a lot of good points. Unfortunately, I don't have a UK publisher, so that's why there's the delay. But I thought they were all available; which ones aren't? And what is Amazon doing with my indexing?! Oh, dear!
Jo Ann, thank you; I'm going to definitely ask them to look into those blogs. I don't think they approached them last time.

Oh, and Jo Ann, I meant to also tell you that I remember your daughter very well! Glad to hear she's doing great.

Why Kings Confess, When Gods Die and What Angels Fear are available on kindle.
Here is your twin who wrote Who Buries the Dead:http://www.amazon.co.uk/C.S.-Harris/e...
Who Buries the Dead is available on kindle.
The 6-book and 10-book bundles are marked as "unavailable" with no author listed. Maybe you are, in fact, triplets - and the third is just really shy?
I just checked the Kobo site, and the same four books are available there, so it's not just an Amazon problem (although Kobo thinks you are one person, not two or potentially three). The bundles aren't listed at all.
So, if you were wondering why your ebook sales in the UK were a bit anaemic, the fact the books aren't available may go some way to explaining it...

Pardon me while I bang my head against the desk....
Theophania, thanks so much for this! I'll get on my editor right away. I had no idea. So thank you, thank you, thank you.

With Goodreads, I watch what is coming through on my feed and often click on books that look interesting to learn more and maybe add to my "To Read" list. The ratings on Goodreads are also important to me. I'm finding that I'm often best off not choosing books with less than a 3.5 score and I like finding books with an over 4.0 (assuming there is a significant number of raters). The other thing I use to find books on Goodreads are the lists - Best Historical Fiction, Best Books of 2014, etc.
Good luck - I love your books!

Thanks for this; I keep telling and telling my publisher this, to the point I feel like I'm getting hoarse. Other publishers "get" it. It's so frustrating. And thanks for explaining how you use Goodreads to find books. I've had so many people tell me they find books through Goodreads, but since I don't use it myself I don't know how it works.

I've also found two new "favorite authors" through them. I purchased the e-books, then bought paperback copies of each book in both series, and convinced a friend to try them. She now follows those two authors herself.
Reducing the copy of the first book in a series on Bookbub can mean more than one sale if readers love the book.