Philharmonia/Järvi review – Järvi tames Nielsen’s wild masterpiece

Royal Festival Hall, London
An awesomely executed performance of Nielsen’s fourth symphony sat alongside perfectly pitched Haydn and sparkling Beethoven

Even within my lifetime a Guardian critic could write a review complaining that Nielsen’s fourth symphony should not have been titled the “Inextinguishable” but the “Indistinguishable”. We are certainly more interested in and hopefully much wiser about Nielsen’s achievement now. And with two cycles of his symphonies – the other under Sakari Oramo – interweaved in London’s current concert season, Paavo Järvi’s impassioned performance of this craggy yet sweeping masterpiece was the best possible retort to an earlier era that struggled to get it about Nielsen’s individuality and metaphysical drive.

Few symphonies explode with such pent-up energy as Nielsen’s first world war-era assertion of what he saw as the embattled life force. A conductor must work hard to prevent the piece becoming so wild and relentless that its textures and motivic structure are lost. Järvi was equal to that challenge, hugely helped by some committed wind playing, which brought out the more angular dimensions of the score. But he never lost his grip either, and the awesomely executed duel of timpani thunderbolts across the orchestra in the final movement was not allowed to eclipse the compelling trajectory of Nielsen’s argument.

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