A Week of Editing

My third Clockwork Legion novel, The Brazen Shark is due at the publisher in just under a month. Ten Percent Solution In the memoir, On Writing, Stephen King says, “Your job during or just after the first draft is to decide what something or somethings yours is about. Your job in the second draft—one of them, anyway—is to make that something even more clear. This may necessitate some big changes and revisions. The benefits to you and your reader will be clearer focus and a more unified story. It hardly ever fails.” One of the tools I’m using to clarify things in the second draft of The Brazen Shark is a little book called The 10% Solution by Ken Rand, shown here in front of my keyboard.


Phyllis Irene Radford, my editor on Lightning Wolves introduced me to The 10% Solution and I now see that Sky Warrior Books recommends that all authors apply the book’s methods before submitting a manuscript for publication. In short, the method is to use your word processor to highlight the adverbs, the over-used words, and the wishy-washy verbs like “was” and “very” so you can evaluate them. It’s simply a tool that allows you to highlight possible problem sentences and evaluate them so you can decide if you can say them more clearly or in a stronger way. Lightning Wolves clearly benefited from the technique and I feel The Brazen Shark is getting stronger as I work through it using Ken Rand’s methods.


Not only am I editing the novel, I recently received notes from an editor about a story I’d submitted to an anthology she’s editing. In essence, her notes went right to the same point. She was working to get me to be more clear and precise. I’d written the story before I read The 10% Solution, but after going through her suggestions, I’m guessing the story would have needed less work if I’d applied those lessons ahead of time. Fortunately, she likes the story enough that it’s likely to appear in the anthology. The first moral of the story is that a good story can sell even if it needs work, so don’t worry too much about making it perfect. The second moral of the story is that your chances greatly improve the better the story is the first time around!


Tales10-4-cover


Finally, I’m in the process of editing Tales of the Talisman volume 10, issue 4. This will be the last issue before we take a break. Stories will be going out to the artists early next week. At this point, I suspect we’ll get the issue out in June. Although it’s a little sad to think about this phase of the magazine coming to an end, I have been excited to think about the directions we might take in 2016. Once I get The Brazen Shark turned in, I hope to start making more definite plans. Stay tuned!


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Published on April 18, 2015 05:00
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message 1: by Joy (new)

Joy Smith You can certainly keep editing--and cutting--almost forever! Btw, I remember Ken Rand; we both had stories in an SF audiobook a long time ago, and I interviewed him a while back--of course.


message 2: by David (new)

David That's certainly true -- it's one reason deadlines can actually be helpful! It keeps you from spending forever cutting and culling and tweaking. Cool that you've crossed paths with Ken Rand.


message 3: by Joy (new)

Joy Smith Good point about deadlines!


message 4: by Joy (new)

Joy Smith I once was busy cutting a story down to make it fit a flash fiction count, and suddenly I realized that what was left wasn't a story--certainly not a good one.


message 5: by David (new)

David Joy wrote: "I once was busy cutting a story down to make it fit a flash fiction count, and suddenly I realized that what was left wasn't a story--certainly not a good one."

Cutting is definitely a bit of an art. I think the trick is not to cut for the sake of cutting, but to figure out how to say the same thing in fewer words, especially when it comes to flash fiction.


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