Thrillers are politically conservative? That's not right
Val McDermid says that while crime fiction is naturally of the left, thrillers are on the side of the status quo. Jonathan Freedland votes against this reading
Quickfire quiz. Identify the following as left or right. Big business? On the right, obviously. Trade unions? Left, of course. The one per cent? That’d be the right. Nicola Sturgeon? Clearly, on the left. If those are too easy, try this literary variant. Crime novels: right or left? And what about thrillers: where on the political spectrum do those belong?
Val McDermid, undisputed maestro of crime, reckons she knows the answer. Writing earlier this week, she argued that her own genre was rooted firmly on the left: “It’s critical of the status quo, sometimes overtly, sometimes more subtly. It often gives a voice to characters who are not comfortably established in the world – immigrants, sex workers, the poor, the old. The dispossessed and the people who don’t vote.”. Thrillers, by contrast, are inherently conservative, “probably because the threat implicit in the thriller is the world turned upside down, the idea of being stripped of what matters to you.”
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